"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love

Thursday, January 18, 2018

Darkest Hour (2017, PG-13)



Another likely Oscar contender I’m crossing off my list early.  Most signs point to Darkest Hour not racking up a ton of nominations, but Gary Oldman’s performance as Winston Churchill is pretty much a lock for a Best Actor nod with a good chance of winning (playing a real-life famous person in a movie about WWII?  Come on now.)  It’s quite a serviceable, well-made biopic, although Oldman’s performance is decidedly the chiefest draw.

The film is a focused biopic rather than a general one, only covering about Churchill’s first month as Prime Minister – from David Lloyd George stepping down up until Dunkirk.  When the PM steps down, Churchill is a replacement choice not particularly prized by his party’s leadership, and in his early days in the role, many have doubts about his place there.  In particular, as the German war machine rolls across Europe, a number of Churchill’s colleagues are looking for ways to avoid war while Churchill himself seems ready to steer the country headlong into it.  The clash builds to a crescendo as British troops in France are stranded on the beaches of Dunkirk with the Nazis closing in on them.  The fate of British army, and Churchill’s position, hang in the balance; all depends on how Churchill deals with the crisis.

I know enough of my history to recognize Churchill’s image and bearing, enough to know that Oldman is terrific (as is the film’s makeup work – when I first saw a trailer for the film, I didn’t realize it was him in the role until I saw his name on the screen!)  As the famous PM, he’s irascible, wily, and clever, expecting everyone to fall in line with his idiosyncrasies and not bending to pressure from dissenting voices in his war cabinet.  Even though we’re only looking at a tiny sliver of his life, it’s one packed with conflict and upheaval, so Oldman is given ample opportunity to show many sides of Churchill:  cantankerous, muddling, exacting, sly, drunk, stirring, despairing, determined, romantic, uncertain, and ingratiating, all as the mood strikes or the situation calls for.

I know also enough of the basics of Dunkirk to know how that story shakes out, although I didn’t know the specifics of Churchill’s role within that or the power struggles going on within his cabinet leading up to it.  In general, I think the film does a pretty good job of making that history accessible to the uninitiated while still trusting that we don’t need our hand held to keep track of what’s going on.

Oldman’s is the big money performance, but there are a number of other actors in the film doing fine work.  The film features Kristin Scott Thomas, Lily James (it took me forever to place her with dark hair – even though I knew none of them were right, my brain jumped to Keira Knightley, Felicity Jones, and Daisy Ridley before I came around to her,) Stephan Dillane (Stannis from Game of Thrones,) and Samuel West (who I’ll always remember as the adult Caspian from the old Voyage of the Dawn Treader on PBS.)  Special mention goes to Ben Mendelsohn (Krennic from Rogue One) as King George VI; after Colin Firth’s fantastic work in The King’s Speech, that has to be a tough role to take on, but Mendelsohn does a great job with it, and his scenes with Oldman are some of my favorites in the film.

Warnings

Language, drinking/smoking, a little implied nudity, and war violence.

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