"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love

Monday, December 13, 2010

The Website Has Landed

As of now, the final project is, in a manner of speaking, "done". I may or may not spend the coming weeks/months tinkering and fiddling away all sorts of time, trying to make it "just right", but I figure that if it's good enough for a grade, it's good enough for anyone who may read this blog. View if you'd like - I hope you enjoy.

Hong Kong Love Story: http://www.wix.com/fallenrocket/hongkonglovestory

Monday, November 29, 2010

Project Progress

I spent a hefty chunk of my Thanksgiving break working on my project. I finished watching the last three films, and the page for each film is essentially done. I may mess around with the transitions, and I'll probably change some of the colors to make for easier reading, but the bulk of my main pages is completed.

I'm nearly completed with some of my supplementary pages as well. My 'Actors' page is giving me a bit of trouble, as there are two in-site links that refuse to work for some reason. I may just delete the text for those links and make them again.

I haven't begun working on my 'Source' page yet, but I've been organizing my source information. I decided that I'll have a main source page, and the citation for each film will be accompanied by a link to a minipage for screencaptures from that film and their citations. That will be easier than trying to fit over 50 images on a single page.

I have a few more citation questions. First, people credited for films (director/performers) aren't credited "Last Name, First Name" the way that authors are. However, Wong Kar-wai follows Chinese name order - Wong is his surname. I'm assuming I can credit him in the citations as "Wong Kar-wai" instead of "Kar-wai Wong?"

Also, I'm not sure whether to credit films according to the year they were made or the year the DVDs I watched were made. For most of the eight films I watched, this isn't an issue, but there are two special circumstances I'm unsure about. For the film "In the Mood for Love" (2000), I watched the Criterion edition, which wasn't put out until 2002. More significantly, I watched a remastered edition of "Ashes of Time" (1994), a DVD that didn't come out until 2009. With that film, I understand that entire scenes from the original were replaced, as some of the film stock was badly preserved and couldn't be remastered. Am I right in thinking I should credit the film as being from 2009 and give it the name on the box ("Ashes of Time Redux")? I'm not quite sure how to reflect the specific edition I watched and still include the actual age of the film - MLA guidelines don't offer much insight.

Tuesday, November 23, 2010

Procrastinated Project Progress

Because I'm so clever, I was working on my project last night and completely forgotting about posting a blog about it (apparently, something due in three weeks is more urgent than something due last night). Anyway, here is my update, if a behind schedule.

Things are gong well with my project. I'm nearly completed with six pages of my Wix project - the introduction page as well as pages of five of the eight films I need to watch. I have my hands on two of the remaining films, and the last should be coming to be today via Netflix.

I'm enjoying working with Wix. I've gotten into a rhythm for working on my project, and I think it's turning out nicely. I need to make several informational pages - one for films, one for actors, one for my sources, and one explaining navigation for the site. The actors page is in progress, and with any luck, I'll finish that or be close to it before I watch the last three films over Thanksgiving break.

One thing I'll have to do is go over all my pages again and work on my transitions. When I move to a new page, everything sweeps in from the right, and I'd like to find something a little gentler.

One thing I'm not sure about is whether I need to cite sources that I link to. For example, if clicking on the name "Maggie Cheung" sends the reader to the actress's Imdb page, do I include that on my sources page? Any help with that?

At any rate, I'm enjoying the project, and it's encouraged me to think about other poems I've written that could be enhanced by hypermediation. Something to ponder...

Monday, November 15, 2010

Project Progress

I've been working on making a Wix site for my project, "Hong Kong Love Story", for a few weeks now. I've been gathering resources for each page film by film. I've rewatched five films so far, grabbing screen captures and writing down useful quotes as I go. I've just about finished the main pages for the films I've seen so far, and the minipages are works in progress.

Initially, I had a little trouble when I started on my minipages and then went back to revise my main pages. With the minipage frame occupying so much of the space, I had a hard time grabbing the pieces that I wanted, and I soon discovered that my revisions weren't showing up on every minipage. In fact, entire blocks of text would disappear as I clicked from minipage to minipage, and that wasn't exactly what I was going for. I admittedly wrestled with this for some time before I realized I should just reduce the size of my minipage frame and revise the main page to my satisfaction before resizing and getting to work on the minipages.

I've been working both on and offline. After I see a film and collect my images/quotes, I generally print my images and then cut them out. On the back of each image, I write the description or quote that will accompany it, and then I paper clip the pictures to another page with descriptions for each stanza on that particular section of the poem. This makes it a little easier to keep track of everything and visualize what I want to do when I get on the computer.

Saturday, November 6, 2010

Project Proposal

Wong Kar-wai is a filmmaker who specializes in melancholy romances. He's known for his bittersweet themes, lush cinematography, dreamlike voice-overs, and excellent actors, many of whom appear in more than one of his films. His understated love stories that almost never end well aren't for everyone, but I'm a big fan of his work.

About a year ago, I wrote "Hong Kong Love Story", a long poem that imagines a continuous thread running through Wong's eight films. For my final project, I plan to design a website to showcase my poem. The section for each film would have its own page, and certain lines would link to screen captures, descriptions of scenes/characters, quotes from the films, or Imdb pages. I want to allow the audience members to pick and choose what they want to see - for example, someone who's never seen any of Wong's films would benefit from written descriptions of scenes. Conversely, a long-time fan would more likely be content with the poem/images and wouldn't need to click on the descriptions. I want to create a multi-layered site that could allow anyone to enjoy the poem, regardless of their previous knowledge of Wong Kar-wai and his films.

Wednesday, October 13, 2010

The Geekiest Thing I've Ever Done

Yes, this is correct - I wrote a poem about Doctor Who.  To exacerbate the geekiness, I'm only posting it in my ENGL 403 blog so I have a link to it for a message board discussion.




"What I Learned from the Doctor"

There’s an odd sort of man with no country or clan
Who has a ravenous need to roam –
Chasing the stars, he’s traveled so far,
Such a long way and time from home.

There’s so much to see, so much one can be
With a probing mind and some curiosity.
And he hungers for new worlds to explore;
The moment he lands, he flings open the door.

But the years grow unkind to one who can’t find
A friend who might share his sky.
Your adventure begins with his mischievous grin
As he asks you, “Stay or fly?”

He holds out his hand, which offers new lands
And a promise your feet will tread on new sands.
And it’s time you withdrew the limits you once knew –
There’s a wild old universe waiting for you.

And once you’ve been ‘round, you’ll see that you’ve found
A few words of wisdom to give:
If you have the chance, take time to dance
On the days when everyone lives.

Finish your task, leave no unknown masked,
Find the answers to questions that nobody asked,
Don’t be waylaid by mistakes you’ve made,
And know that you can be brave even when you’re afraid.

When the path is dark, and you can’t see your mark,
You may need to draw your map.
And don’t be distressed – you always possess
The means to escape any trap.

For the battle’s not won with size or with guns,
But instead by being the cleverer ones –
With spirit and might and a lust for the right
And just enough of a plan to keep you in flight.




That is all.

Monday, September 27, 2010

Video Literacy Narrative

Here's my video literacy narrative.  Technical ineptness aside, I didn't like making this as while as I liked writing the print narrative.  I find that, for some reason, my fingers are a lot more eloquent than my tongue.  When I write, I can take all the time I need to craft my sentences just the way I want them.  I can (hopefully) come across sounding smart and well-spoken.  

When I speak unscripted, even when I take time beforehand to think about what I want to say and how I might want to say it, it comes out wrong.  My tongue trips me up, I lose my train of thought, and not all of my dots end up getting connected.  I don't really like that.

One advantage of the video format is that it allows me to incorporate visual aids, which I did in this narrative.  I explained the collection of commonplace notebooks that I use for writing down quotes from books/poems/movies/songs/plays/TV episodes that I like, and I was able to show some of them to the camera, pointing out specific quotes from different books.

Anyway, here's my narrative:


Youtube links for now - I couldn't get the videos uploaded directly.  If I can figure it out later, I'll change that.

Sunday, September 5, 2010

Random Threads on Print Literacy

When is the first time you can remember writing something or reading something, anything? What do you remember about this experience, and why do you think that this experience has stuck with you?

My earliest memories of books and reading begin when I was quite young, and my mother read to me.  We began with picture books, as parents and children often do - I was especially fond of The Bernstein Bears.   As I learned to read, I started finding picture books for myself.  I would ransack the church library every Sunday, and whenever we drove into town and went to the public library, I would check out as many books as I could carry.  Sometimes, I'd bring plastic bags with me so I could take home even more books.  My mother continued reading to my brothers and me throughout our childhoods, moving on to longer and more complicated books such as The Chronicles of Narnia and the works of Madeleine L'Engle.  Eventually, she and I started reading books together, taking turns reading the chapters aloud.  I particularly remember reading Edward Bloor's Tangerine and Ruth White's Belle Prater's Boy this way.

What did you read and write when you weren't in school? Why? When? Where?

Oh, I read.  I read and read and read.  In elementary school, I remember reading plenty of novels (one called Daphne's Book stands out in my memory), but I was mad about a number of different series.  In elementary school, I tore through the Sweet Valley Kids books, graduating to Sweet Valley Twins when I got a bit older.  Around 4th grade, I discovered Animorphs, and I eagerly waited for each new installment - I usually bought them through the book order forms we received at school.  For as long as I can remember, I've enjoyed lists and order, and I very much enjoyed tracking down every part of a particular series.

I would read pretty much any time and anywhere.  I had spare books in my backpack everyday that I could produce before class, whenever I was finished with my work, whenever bad weather necessitated indoor recess, and on the very long bus rides home (my family barely lived within the school district, and I would sit on the bus for close to an hour every day).  At home, I would read in my bedroom, on the floor of my parents' room (beside the heating vent), and any number of places outside.  I would bring books with me any time we had a remotely long car trip.

My reading habits grew less voracious in junior high and high school.  I still enjoyed reading a great deal, but I was reading longer books which took more time to get through, and I had more schoolwork do demand my time, as well as band, choir, drama, and speech).  Not as many particular books stand out in my memory during this period.  I remember reading Little Women after falling in love with the film, and I very much enjoyed Gregory Maguire's books.  While I grew up playing Lord of the Rings with my brothers, I didn't read the books for myself until high school - as my older brother had read the entire series when he was nine and we were constantly borrowing the old cartoon films from the library, I was well-versed on the story before I began.  I also came to the Lemony Snicket books rather late in the game, but I took to them wholeheartedly raced through the series to date as quickly as I could get my hands on them.

Think about memorable experiences with reading. What made these so memorable?

Certain books and authors in my life have grabbed me quite intensely.  I remember the first time I read Gregory Maguire's Wicked.  It was shortly after the musical first came out, and I'd obtained the book through inter-library loan.  I utterly lost myself in Maguire's version of Oz.  I remember that I began reading when I got home from school on a Friday, read solidly until dinner, and then read further until my mother told me I had to go out and socialize with my little brother and his friends, who were playing broom ball that night.  As I have less than zero interest in sports in the best of times and I was up to my elbows in wicked witches at this point, I begged for a reprieve, but I was made to join in for an hour-and-a-half of broom ball followed by a movie at someone's house (it was the first Pirates of the Caribbean movie).  It was after one when we finally got home, and I read for another hour before my eyes were too bleary to make out the words.  The next day, the only times my family saw me were at meals, and by the time the sun went down, I was finished.

Like I mentioned earlier, I had a similar experience with Lemony Snicket's books.  The first book in A Series of Unfortunate Events isn't terribly long, and I read it in a little over an hour, in one sitting.  This became my template for the series - a Lemony Snicket book should be enjoyed in its entirety, uninterrupted.  However, each book in the series gets progressively longer, and by the time I reached the 11th book in the series, I was very annoyed to discover that I was expected to put my book down and come to supper. 

I also especially remember reading the last book in the series.  It was the first time I'd started reading a series while it was in progress and carried it through to the end (I lost interest in Sweet Valley Twins and Animorphs, and both Tolkien and Lewis were dead by the time I read their books).  I remember how excited I was to read it - I was in college at the time, and I drove to Barnes & Noble before class so I could buy it.  I read it in my usual Lemony Snicket style, all at once.  I remember how much I appreciated the ending, but also how forlorn I felt when it was over.  No more!  Nothing left!  I didn't know what to do with myself.

The books that get me hooked on a particular writer always stand out in my mind.  I can't make a good attempt to pin down my favorite Jane Austen book, but Northanger Abbey will always have a sentimental place in my heart, because it was the one I read first.  I was in college, working in a tutoring center, and I remember reaching for the book whenever I had a free moment.  I remember the way I had to bite my lip to keep from laughing and disturbing the other tutors.

With Tom Stoppard, I didn't get fully reeled in with the first place I read (Rosencrantz & Guildenstern are Dead), though I do love it.  It led me to seek out his Coast of Utopia trilogy, and when my mother found Arcadia sitting in a closet, I took it, curious to read more by this interesting playwright.  Arcadia is the one that got me excited.  I wouldn't necessarily say I like it better than the previous works I'd read, but for whatever reason, something clicked with me, and I realized I needed to read anything I could find by this man.

In all these cases, it's the excitement that I remember, the insatiable need to keep reading.  It's a wonderfully spectacular feeling.  While it can be quite problematic when the pesky business of living gets in the way, I love getting swept up in a book and letting my self be carried away by a desperate hunger for the words.  So satisfying.

Saturday, August 28, 2010

Ruminations on Writing Spaces

When I was young, I remember writing my first stories in colored folders filled with loose leaf paper (better than notebooks, since I could add or removes pages as I needed).  I wrote in my bedroom, at the kitchen table, on the couch, on the stairs, in the corn crib of our family farm, and occasionally in the grove behind our house.  My grandfather, who had a wood shop, made me a portable "lap desk" that could be used both to write on and to store works-in-progress in an inside compartment.  It even had a handle on the side so I could carry it anywhere.

Nowadays, I have a writing folder on my laptop, and that brings with it all the legibility and no-hassles editing that computer technology can provide.  I have subfolders to divide my work by long or short story, poetry, drama, or screen work, and my computer makes it much easier for me to dabble with different media.  When I wanted to make a screenplay out of a novella I'd written, it was incredibly handy to copy and paste sections into a new document and adapt it for my new purpose, rather than copying laboriously by hand.

Despite these advantages, I still hand write a great deal.  First of all, a binder filled with paper, pockets, and pencils is easy to bring wherever I choose, and I don't need to worry about how long my battery will last.  It's also convenient to pick up and put down on short notice - my job includes a certain amount of downtime, and I like to write when I'm free, but I have to be able to spring into action at the drop of a hat.  Springing is ill-advised if there's an expensive computer in my lap.

More than that, however, initial writing seems to come more easily for me when I do it by hand.  For some reason, my mind feels freer to explore.  That seems odd, since a Word document allows infinite opportunity to do and redo to one's satisfaction.  Yet, it feels natural for me to sit down to a fresh sheet of paper and simply begin writing.  I hardly ever maintain a steady flow when I use my computer - unless I have a rough draft sitting beside my laptop, ready to be typed.

I think part of my issue is that, especially in early stages of writing, I often like to pull myself in different directions, and I like to be able to keep my varying ideas on hand, in case I want to incorporate a previously discarded idea later.  I like scribbling notes in the margins and musing about what order in which I want to arrange my assortment of stanzas.  While I suppose I could open multiple documents for one work or be less generous with the "delete" button, I have a hard time operating that way on a computer.  My laptop tends to be the place where I type my rough drafts, where I work in the notes I've added and maybe take a short detour in a new direction.  As I edit, I might remove, replace, or add sections, but only after I've already written my initial words and copied them into the computer - after my eyes have passed over them often enough to see that they're ineffective or incomplete.  Between this important condition and the pluses I mentioned in the previous paragraph, I can't imagine myself going wholly computerized anytime soon.

(On a side note, I wrote this posting entirely on my laptop in one sitting, with no college-ruled assistance.  School work, it seems, plays by different rules.)