"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love

Sunday, January 31, 2021

Doctor Who: Series 1, Episode 3 – “The Unquiet Dead” (2006)

I love a good Who celebrity historical, and this was the first one I ever saw. It was also the first historical to use the new Who device of giving an extraterrestrial explanation to a seemingly-supernatural phenomenon. The show goes on to do similar things with werewolves, witches, and vampires, among others, but they do it here first with ghosts on Christmas Eve with Charles Dickens.

The Ninth Doctor takes Rose on her first journey to the past, landing in Victorian Cardiff where, as usual, strange things are afoot. The dead are rising in a small mortuary, and one of the “ghosts” comes to a theatre where Charles Dickens is giving a performance. Naturally, investigating Christmas ghosts with Charles Dickens is too good an opportunity to pass up, so the author is roped into helping our heroes discover the origins behind the seemingly-otherworldly apparitions.

This is a fun historical romp. The Doctor going all fanboy on Dickens is wonderful, and I love all the references, especially, “Go on, do the death of Little Nell, it cracks me up!” The author fits in well with the proceedings, and I always laugh when he exclaims, “What the Shakespeare is going on?” Simon Callow brings it in the role, both comedically and dramatically.

Another noteworthy person appearing in this episode is Gwyneth, the servant girl at the mortuary. For starters, she’s played by Eve Myles, who went on to play Gwen on Torchwood, and the events of this episode form a major part of the foundation for Torchwood as a series. Gwyneth is also just a neat character in her own right; she has great scenes with Rose, and her final scene with the Doctor is excellent.

Speaking of team TARDIS, it’s a good episode for both our heroes. I love series 1, and basically every episode is great purely for the interactions between the Doctor and Rose, but this one gives them some nice material to work with. The backstory for the “ghosts” further explores the Doctor’s recent trauma from the Time War, and because Rose and the Doctor have different opinions about how to deal with them, it leads to a strong conflict between the two of them. One thing that I love about Rose is that, even as she becomes increasingly entrenched in the Doctor’s world and taken with the Doctor himself, she remains her own person. As much as she cares for and admires the Doctor, she’ll speak up if she thinks she’s right and he’s wrong, and they can argue about things that are important in a way that only highlights the bond between them.

When I first started watching Doctor Who (it feels weird to think back on that now, all the years I spent not watching Doctor Who when I could’ve been,) I thought “Rose” and “The End of the World” mostly coasted on the strength of the Doctor and Rose’s dynamic, mixed with flashes of additional potential. This, though, is the first episode that I really genuinely liked from start to finish, that I felt was working on all levels. And even though repeat watches have made me fonder of those earliest episodes, “The Unquiet Dead” still occupies a special place in my regard for that reason.

Saturday, January 30, 2021

News Satire Roundup: January 25th-January 28th

Monday, January 25

·        Headlines – Tom Brady heads to his tenth Super Bowl, Russian protests supporting Alexei Navalny, new COVID-19 travel restrictions in the U.S.

o   Trevor didn’t see how Tom Brady could be 43 years old and still playing in Super Bowls – “I’m only 36, and all my Google searches are like, ‘Hips make clicking sound when I walk, am I dying?’”

o   Astute point on the protests in Russia – “Guys, can we agree? Anyone who protests in -58° weather should have their demands heard” (not least of which due to the risk of them setting buildings on fire purely for warmth!)

o   I smiled at Trevor’s delight to hear about South Africa making international news, even in the context of travel restrictions over a highly-contagious COVID variant.

·        Main Story – Trump’s second impeachment

o   Trevor wasn’t on board with Lindsey Graham’s “but where does it end?” argument re: impeaching Trump – “Okay, first of all, I support impeaching George Washington, because I don’t want that guy holding office again! A slaveholding zombie as president?! That’s terrifying!”

o   I loved the point that Trump having left office doesn’t negate the need to hold him accountable for his actions, with Trevor noting that that wouldn’t fly in any other job – “If you get fired at Best Buy, they don’t just let you steal a TV on your way out.”

o   On Trump’s rumblings of starting his own “Patriot Party” – “And you know he’s serious because he made Jared Kushner Google ‘how to start political parties.’ This shit is on!”

o   Awesome line – “Sarah Huckabee Sanders says that she’s gonna be running for governor of Arkansas, which, based on her track record, means she’s not gonna be running for governor and there is no state called Arkansas.”

·        Correspondent Piece (Roy) – "CAHOOT" crisis intervention team in Oregon

o   Roy was amazed to learn that the crisis intervention leaders he was interviewing didn’t just set up shop in the wake of the summer protests – “Wait, 30 years?! When your organization was created, the fresh prince hadn’t even left for Bel-Air yet!”

o   Impressive statistic that this group operates on 2% of the local police budget but responds to 20% of the area’s 911 calls.”

o   I loved this exchange between the organization leader and Roy over the number of “Karen” calls they respond to – “We have a lot of calls placed to Public Safety with a certain outcome in mind….” “Just say, ‘racist,’ Tim! Tim, this is a safe place!”

·        Interview – Football player/actor Nnamdi Asomugha

o   In talking about taking the switch from the NFL to acting, I liked Asomugha’s particular description of himself as a risk-taker – “I don’t go into it saying, ‘I can’t wait to take this risk.’ I just love things that require me to take a risk in order to achieve them. But I dunno, I think it’s important to have no idea what you’re doing and just go for it anyway.”

o   Amusing story about how long he spent learning to play the saxophone in preparation for his new film Sylvie’s Love, which got drawn way out due to simply struggling to find a studio to take on the film – Trevor asked at what point it stops being prep for a movie and becomes “just playing the saxophone for no reason.”

Tuesday, January 26

·        Headlines – Biden’s early policies, coconut milk tied to monkey labor, cat birthday party leads to COVID outbreak

o   I loved the description of Biden coming in hard with progressive policies like someone on their first day of prison – “Yo, who’s the wokest mother**ker in here? ‘Cause I’m about to whoop his, her, or their ass!”

o   I’m with Trevor on the, “Wait, what, monkey labor?!” of it all, and I liked his observation that humans will never be able to compete with a monkey workforce – “I would like a living wage.” “I will do it for bananas.” “Damn you, Bongo!”

o   In addition to a cat birthday party being a dumb thing to risk COVID for, Trevor questioned why such a thing exists at all – “When have you ever seen a cat like, ‘Ooh, a room of loud humans. I hope one of them straps something onto my head.’”

·        Main Story – Difficulties getting COVID-19 vaccines

o   Great line – “We should have seen this coming back when Popeye’s ran out of chicken. If America can’t handle sandwich distribution, what chance do they have with the vaccine?”

o   In the bit on seniors having a hard time navigating mostly-online appointment registration platforms, my heart broke at the clip of an old man saying, “I feel like I’m in a maze with no open doors.”

o   It’s wild that some people are getting unexpected vaccines when other people don’t show up to their appointments, with healthcare workers desperate to administer the doses before they go bad – “Who is missing their appointment for a COVID vaccine? What else are these people doing? Are there really people out there who are like, ‘I mean, sure, I have a vaccine appointment at 3 p.m., but I also have this cat birthday party I’m supposed to go to, so…?’”

·        Fake Commercial – Leo Deblin “lawyering services”

o   This was Roy’s Leo Deblin character offering his services to Rudy Giuliani, who’s being sued by Dominion over his lies about their voting machines.

·        Sketch – Trump’s “divorce” from Fox News

o   Great description of Fox’s fawning relationship with Trump – “For four years, they treated with him like a white lady treats her dog: he was a good boy, and if ihe peed on you, it was your fault.”

o   In the ensuing sketch, Roy presided over the court for Fox News and Trump’s “divorce,” with Desi and Michael playing their lawyers.

o   I liked this line from Desi – “Your honor, my client has suffered too long with a lying, racist partner who incites insurrection. They want to find a lying, racist partner who doesn’t incite insurrection.”

·        Interview – Filmmaker Stanley Nelson

o   Nelson was promoting his new documentary Crack: Cocaine, Corruption & Conspiracy.

o   He emphasized how important it was to get the story straight from dealers and users from the crack epidemic, counteracting “the lies that were told” about them at the time – in discussing one former dealer who was interviewed for the documentary, he said,“This wasn’t a guy who woke up one day and said, ‘I want to devastate my community.’ This guy was a high school kid, he was a kid who was working at McDonald’s.”

o   Trevor asked about the responsibility of the media throughout the crack epidemic, who were more interested in “parroting the propaganda” from the government rather than examine the very story they were telling – Nelson’s simple reply was, “There was never an analysis of what was going on.”

Wednesday, January 27

·        Headlines – GameStop’s stock surge, pandemic birth trends, no player inducted into the Baseball Hall of Fame this year

o   I loved this description of the stock market – “America’s number-one supplier of Great Depressions.”

o   Trevor did a fun bit breaking down the GameStop situation for laymen, a la the Margot Robbie scene from The Big Short.

o   Awesome line – “I think it’s actually fun to see how Wall St. doesn’t like it when somebody Wall Streets them. Yeah, because when they make moves that cost people their homes, people on Wall St. are like, ‘Hey, man, those are the rules.’ But when it happens to them, they’re like, ‘Those aren’t the rules! Is someone gonna regulate this?!’”

o   In reaction to the news that births are dramatically down this year – “Wow, so apparently these last 10 months have been all Netflix and no chill.” I also loved the additional point, “I mean, who’s f**king to Tiger King?!”

·        Pandemic News – Spreading variants, lockdown protests in the Netherlands, Israel’s efficient vaccine rollout, China’s dubious vaccine efficacy, anal swab tests in China

o   I liked this line, about the protests in the Netherlands – “All right, guys, this right here is a bad sign. How’re we gonna keep the lockdowns going in the rest of the world when the country that invented legal weed is losing its shit?!”

o   Trevor suggested that resistance to lockdowns might be a branding issue and suggested alternative names like “nationwide slumber party, “extended cozy time,” and “the pretend-you’re-an-indoor-cat challenge.”

o   I laughed at loud at Trevor’s deadpan reaction to learning about China’s anal swabs – “You know, there’s a point at which I would rather just have the coronavirus.”

·        Biden’s calls for unity

o   This was a very salient point – “So, I can see why unity would be very appealing to people right now, but for unity to work, you have to agree on what unity is.”

o   And that was the crux of the piece, the fact that a number of congressional Republicans are standing up every time Biden or the Democrats do something they don’t like and exclaiming, “But what about the unity?!”

o   Loved this description of Rep. Marjorie Taylor Greene – “It’s like a normal Karen fell into a vat of chemicals and then became a Batman villain.”

o   There was also a short skit with Desi trying to “mediate” unity between Dulcé and Michael as stand-ins for the Democratic and Republican parties. This was a great exchange – “What about the Capitol riots?” “That could’ve been a real moment for unity, but there wasn’t one Democrat in that mob! They’re all talk and no insurrection!”

·        Interview – Poet Amanda Gorman

o   Gorman admitted that she wasn’t ready for the incredible boost in her profile after the inauguration – “All my apps had just crashed because of all the followers flocking to my channel.”

o   What a beautiful sentiment – “In a lot of cultures, we think the way to cleanse ourselves is with water, I think we can cleanse ourselves with words. We need to kind of resanctify, repurify, and reclaim, not just the Capitol building, but American democracy and what it stands for.”

o   I loved this – “Poetry is a great reminder of the past that we stand on and the future we stand for.”

Thursday, January 28

·        Headlines – Snowed-in healthcare workers give vaccines to stranded motorists, first private space tourists named, Proud Boys leaders was an FBI informant

o   I laughed at this line – “Whenever there’s a storm, get in your car and drive around until you stumble upon someone with extra vaccines! And that, my friends, is Trevor’s travel safety tip of the day.”

o   This was a good dig – “Are you kidding me? The founder of the Proud Boys is a snitch? Man, fascist bigots just aren’t as trustworthy as they used to be.”

o   Trevor wasn’t surprised the leader of the Proud Boys had wanted to help the FBI – “Hey, I heard your crew tried to kill Martin Luther King Jr.! Game recognize game!”

·        Main Story – Wall St. moves to stop the GameStop stock surge

o   There was a line with a similar sentiment yesterday, but I loved this one too – “The same guys who are like, ‘The markets must never be regulated! They must always remain free!’ Those same guys are like, ‘Oh shit, the poor people got a hold of the freedom! Turn it off! Turn off the freedom!’”

·        Interview – Economic analyst Doug Henwood

o   The story was really just a jumping-off point to get to this interview.

o   This was a very telling, albeit ominous, observation on whether the Reddit traders did anything “wrong” with their short squeeze on GameStop stock – “These Redditors are the wrong kind of people, but they’re playing the same game that Wall St. is playing.”

o   Henwood described the stock market as “a machine for extracting wealth for a top 1% of society,” which seems to be depressingly accurate.

·        Correspondent Piece (Roy) – Advice on democracy from Africans

o   This was a really interesting piece, with political scholars from different African nations looking at lessons learned on coups and unstable democracies on the continent.

o   Man, how apropos was this comment? – “People will say, ‘Okay, it’s time to heal, and it’s time to forget and move on,’ and therefore never holding people accountable and never deconstructing the institution that allowed such violence.”

o   The experts did not hold back in their estimation of U.S. politics – “The Electoral College exists in order to keep white Southerners within the United States by empowering them so much that they would be able to maintain a system of segregation pseudo-slavery.”

o   An easy line, but a good one – “Now tell me, who is the shithole country?”

·        Interview – Actress/director Regina King

o   King praised the screenwriter for One Night in Miami, her directorial debut on a momentous night shared between Muhammad Ali, Malcolm X, Jim Brown, and Sam Cooke – “He put conversations that people have been having, that Black men have been having, into the mouths of these larger-than-life men.”

o   She went on to say that her chief job as a director was essentially to let the dialogue do its job – “Just lots of conversations and preparations ahead of time to just allow the dialogue to be the star and allow everything else to just kind of cradle that dialogue.”

o   Trevor highlighted the difficulty of directing a film out of a piece that was originally a play – while a single, contained setting can feel expansive onstage, on film, “You have to direct to make one space feel like it’s going somewhere.”