Hollywood
has a long history of whitewashing Asian characters: the horrifying yellowface of past decades,
the near-total white-ification of screen adaptations of popular animes, the
Asian erasure of real-life people in movies about
them, and the shoehorning of white
guys into samurai movies are just a few oft-used techniques, past and
present. Cameron Crowe’s rom-com Aloha became one of the most recent
offenders on this front when Emma Stone was cast as Allison Ng, a mixed
character of white, Chinese, and Hawaiian descent.
Now,
the quote we’re looking at is actually from an apology letter Crowe posted on his blog after controversy about
Stone’s casting blew up. It’s not the
sort of apology one would hope for – he extends the mea culpa to “all who felt
this was an odd or misguided casting choice,” using fairly soft adjectives and
focusing on people’s perception of
the casting rather than agreeing that it was objectively wrong – but at the
very least, he does seem to acknowledge the mistake and places the blame at his
feet rather than Emma Stone’s. But I
digress – here’s the quote:
“As far back as 2007, Captain Allison Ng was
written to be a super-proud ¼ Hawaiian who was frustrated that, by all outward
appearances, she looked nothing like one. A half-Chinese
father was meant to show the surprising mix of cultures often prevalent in
Hawaii. Extremely proud of her unlikely heritage, she feels
personally compelled to over-explain every chance she gets. The character was based on a real-life,
red-headed local who did just that.”
Okay,
Cameron Crowe. Character-wise, that’s
all fine. Granted, when the only prominent Hawaiian/Asian character
in your movie set in Hawaii looks white, it’s not particularly cool, but the
character itself is fine. As you say, she’s
based on a real-life person. But do you
know what that real-life person is? Mixed. Regardless of how she looks, she and her
heritage is mixed.
So,
you’ve neatly established for us that mixed people who look white exist. It then stands to reason that mixed people
who look white can be cast in movies, and that’s who you should have cast
here. When you’re talking about race and
a long history of cinematic whitewashing and Asian erasure, it’s not just the look that’s important. It’s so
essential to recognize that actors of color have far fewer opportunities in
Hollywood, and the absolute least that Hollywood can do is cast these actors in
the roles that are written as
PoC/mixed.
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