I’ve
seen a few of Neil Gaiman’s TV efforts now – Neverwhere and his Who
episodes – and I’ve listened to the radio adaptation of Neverwhere, but this is the first book of his that I’ve read. As with his TV work, I like Coraline’s slightly off-kilter, somewhat
dark, very British fantasy.
Coraline
Jones has just moved with her parents into a large old house divided into
flats. She spends her early days exploring,
getting to know the eccentric neighbors, and wondering about the door in her
living room, the one with the bricked-up passageway that once led to the empty
flat next to hers. One day, though, home
alone, Coraline opens the door to find the wall gone. At the end of the passageway is a twisted
through-the-looking-glass world containing Coraline’s Other House and populated
by her button-eyed Other Parents.
Gradually realizing that her Other Mother has malevolent intentions,
Coraline sets out to defeat the villainess.
This is
a really neat book. It’s definitely
pitched for kids but still greatly accessible for adults. I like Gaiman’s calm, observational prose in
the face of all the crazy, scary things that happen to Coraline. Our heroine is similarly unflappable, though
not uncaring. There are huge stakes in
this story and Coraline knows it, but she approaches her challenges with a
cool, rational head and bravery that’s more decisive than innate.
I think
this quiet, collected attitude, on the part of both author and protagonist,
makes the creepiness of the Other World even creepier. Coraline goes through the door to find a
world that’s just a little bit “off,”
but the sense of skin-crawling foreboding builds slowly, teasingly, until you
can hardly imagine how she’s able to keep her head. The Other Mother is particularly horrific, no
surprise.
Overall,
it’s a fine entry to the “And We Read This to Kids?!?” collection, with lots of menace and scary images. Those British, I tell you – after all, kids
love Doctor Who in Britain, and even before they get to the “exciting” stuff
in Harry Potter, he’s being raised by
unscrupulous relatives who make him live in a closet. Then again, I suppose I shouldn’t talk. The U.S. gave us Lemony Snicket, who killed
the Baudelaire children’s parents and destroyed their home in a fire in the
first chapter of the first Series of
Unfortunate Events book before shipping them off to living with an abusive
criminal so covetous of their inheritance that he schemes to marry a
14-year-old.
One of
my favorite parts of the book, however, is a secondary character: the cat who can similarly pass between worlds
and sort of ambivalently helps Coraline in her fight against the Other Mother. (Just “the cat,” by the way. As it explains to Coraline – in the Other
World, it can talk – “Now, you people
have names. That’s because you don’t
know who you are. We know who we are, so
we don’t need names.”) In a way, it’s
sort of a more even-keeled version of the Marquis de Carabas from Neverwhere: clever, enigmatic, more than a little
imperious, and usually nowhere in sight when Coraline wants it around, but
still generally on her side.
Warnings
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