New
feature today – I’m pretty sure the title speaks for itself. Now, before you say, “What about the Sunday Who Review?”, fear not. While any unfortunate relationship trope has many
fictional examples (or they wouldn’t be tropes,) it’s my plan to focus on a
single work for each entry, and in the past few years, new Who has been rife with this particular device. (Spoilers for series 5-8.)
The
basics are simple: a character, bereft
of their beloved, would rather die than live without them. It’s as old as the hills, with a certain pair
of star-crossed lovers as its codependent poster children. I pretty much always dislike this trope when
I see it. I mean, okay – I don’t
experience romantic attraction, so I’ve never felt that type of heartbreak, but
any relationship that trumps a person’s entire
life is icky to me. You can’t just live for one person. It’s too small, too sad.
This is
distinct from someone dying (or seriously risking their life) to save their lover. I’m not wholly on board with that device
either, but at least it has a positive aim, rescuing someone. It’s why I don’t count Clara stepping into
the Doctor’s time stream at the end of series 7 as an example of this
trope. First, it’s not exactly clear what’s being Clara and Eleven, but more
importantly, she’s driven by a desire to help and protect the Doctor. Plus, Clara’s serving the greater good; when
the Doctor isn’t around the save the day, things fall apart, universe-wise. (Not that I don’t hate the “I was born to
save the Doctor” line – ugh.) Generally speaking, RTD-era character
sacrifices align with this as well, even with Rose and Nine/Ten and all their
drama.
By and
large, though, the Moffat era prefers more pointless, allegedly-romantic “I die
without you” moments. Yes, it’s a time-travel
show with paradoxes and alternate timelines, so not many stay dead for long, and
Amy has an awful lot of Rory deaths to deal with. But it happens again and again. There’s “Amy’s Choice,” where Rory is killed
in one reality, and Amy decides it must be the dream and kills herself, the
Doctor, and her unborn child to wake in the other reality. She admits she doesn’t know she’s right but doesn’t care, saying, “If this is real life, I
don’t want it.” Later, when Rory gets
filled in, it’s treated as romantic, the ultimate proof that she “chooses” him
and is in it for the long haul. And that’s
just the start. She gives herself up to
the siren in “The Curse of the Black Spot” and she twice dies for Rory in “The Angels Take Manhattan,” once jumping
off a building with him (he’s trying to thwart the Angels, while she doesn’t
want to risk him not coming back from it) and later turning her back on an
Angel to be displaced to the same time as Rory.
“The Girl Who Waited” is borderline – older Amy gives up her chance to
live so that young Amy can be with Rory – but it’s all wrapped up in her
realization that they can’t both be with Rory and her heartache at seeing the
loving way he looks at young Amy.
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