Like
most aspects of Skins, the show doesn’t
always get Naomi and Emily right. Their
relationship gets tangled up in much of the messiness that permeates series 4,
rife with overwrought drama and out-of-left-field plot twists. However, when they work, they really work – at their best, their plot
is easily the most successful part of series 3, and Naomi’s centric episode in
that season is probably in my top five for the show’s entire run. Here’s Emily and Naomi (relationship-specific
spoilers, especially for series 3.)
On the
representation front, there are a few things that I really like about this relationship. First, while it deals with apprehension and
uncertainty of two girls beginning their first same-sex relationship, it doesn’t
beat around the bush or use queer
sexuality as a bombshell. A number of
shows play coy, especially with girls, for an awfully long time: teasing and suggesting without defining. Granted, Skins
has one up on many U.S. series in that it has short seasons and can’t really
afford to string things out, but I still appreciate that the show is upfront
that this is a will-they-won’t-they plot.
And at the same time, it doesn’t go for the shocking surprise-kiss! twist. Rather, the storyline is laid in dialogue
before it explores the physical side.
Technically,
there was a kick-off kiss, but we don’t see it.
On the girls’ first day of college, we hear Emily’s twin sister Katie
warning others off Naomi on the grounds that she kissed Emily at a party. This positions outspoken, politically-minded
Naomi, with her cropped hair and atypical style, as the pursuer while quiet,
clean-cut Emily, forever in her sister’s shadow, is inexperienced, intimidated,
and possibly curious. It’s a perfectly
acceptable plot, one we’ve seen before.
Quickly, though, the narrative realigns itself with the reveal that
Emily was the one who kissed Naomi, and even when she comes clean to Katie, she
pretends she did it because she was high.
But with Naomi, Emily makes it clear how she feels, and we suddenly see
that Naomi is the one who doesn’t know how she feels. (Yes, it’s still a plot with one girl
pursuing and the other reticent and “confused,” but it also subverts
expectations a fair amount.)
And
that’s the real story we get. Naomi isn’t
a straitlaced blushing violet and Emily isn’t some symbol of an alluring but forbidden
other world. Instead, Emily is a
confident but closeted girl overwhelmed by a crush, and Naomi is a solitary,
guarded girl who doesn’t know what to do with the feelings she can only deny
for so long. (It really helps that we
get perspectives from both girls.) Their
hesitant courtship unfolds slowly, with lots false starts and retreats, but it
always stays equally rooted in physical and
emotional attraction. Emily initially
weathers the storm of Naomi’s insistent downplaying; as they take their first
tentative steps toward romance – kissing, touching – she doesn’t protest when
Naomi blames it on drugs or booze or casual experimentation. She has it so bad for Naomi that she’s
content with whatever she can get.
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