I
haven’t written about the early Sondheim show Anyone Can Whistle before, probably because it’s super ‘60s and
weird, and while I like it, so many his others are better – more melodic, more
theatrical, more emotional. However, there
are some incredible songs in it. There’s not much in theatre that’s quite like
Anyone Can Whistle, and for me, this
is the best it has to offer.
(Pictures are from both the original Broadway production and the 2010 Encores! cast.)
“There Won’t Be Trumpets” – Fay’s fierce but
pragmatic belief in heroes is at the center of this number. It’s the ultimate “All that is gold does not
glitter” song, acknowledging that heroes are made by their deeds, not their
fanfare. Maybe it’s a bit too passive,
waiting for someone to swoop in and fix things, but her sheer faith shows a
kind of strength on its own, and I like that.
Best
line: “We can wait, what’s another day?
/ He has lots of hills to climb. / And a hero / Doesn’t come till the nick of
time!”
“Simple” – A stunning scene-song, introducing
us to the full force of Hapgood’s personality as he separate the sanes from the
crazy. The lyrics are crammed with
twisted-logic syllogisms, and the ever-increasing layers of melody nicely
parallel the chaos Hapgood is fomenting.
Best
line (technically dialogue in the middle of the song, but I like it so much,
I’m counting it anyway): “They threw you
out of your pulpit […]” “Because I
believed […] in God – they only believed in religion!”
“Come Play Wiz Me” – Here’s a fun, sexy
love song between Hapgood and Fay, the latter of whom has grown considerably
bolder thanks to a (French) disguise she’s adopted. I like seeing Fay, who’s only used to being
confident in private, losing some of her inhibitions with her new persona, and
you’ve gotta like it when two people show their attraction by trading wordplay.
Best
line: “You like my style, yes? / My
brand, yes? / Ze lay of my – how you say? – / Of my land, yes?”
“Everybody Says Don’t” – This solo is to
die for; I love it so much. It’s
Hapgood’s anthem, his charge to Fay to stop letting other people’s limits hold
her back. The theme is gorgeous, and the
melody builds so well, so triumphantly.
When I need to psych myself up, this is my go-to song.
Best line: “Everybody says wait around for miracles, /
That’s the way the world is made! / I insist on / Miracles, if you do them, /
Miracles – nothing to them! / I say don’t, / Don’t be afraid!”
“See What It Gets You” – Up until now, Fay
has looked to her hero, Hapgood, to save the day, but this is the moment when
she realizes she can’t just sit and wait.
Heroes, she sees, can let you down, and sometimes, when the going gets
toughest, all you can count on is yourself.
After relying on others and relying on disguises, Fay finally sees she
has to rely on herself.
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