Pushing Daisies is one of those
infinitely-pairable shows, where you can put virtually any two characters in a
scene together and get gold. You’ve got
Chuck and Olive, Ned and Vivian, Emerson and Chuck, Ned and Olive, Ned and
Chuck, Olive and Emerson, Lily and Vivian… Any way you slice it, it works. Amid all that fun and watchability, though, I
think Ned and Emerson might be my favorite.
(A few character-related spoilers.)
Logistically,
they make perfect sense as partners.
Emerson is a private investigator, and Ned can wake a murder victim with
a touch of his finger to ask who killed them.
It’s a no-brainer! (Not to mention,
Ned owns a pie shop and Emerson has a sweet tooth – I’d be shocked if they didn’t want to associate with each
other.) However, as we move from the hypothetical
to the actual, we see that they’re tremendously different people.
If Ned
hadn’t been struggling financially when he met Emerson, he probably wouldn’t
have agreed to their unconventional sleuthing arrangement. He’s a bit of a homebody who’s uncomfortable
with change and likes to have a system.
He generally prefers keeping his head down, which makes sense, because
he’s had a spontaneously-occurring magical power since childhood and a fear of
being discovered/dissected. But at the
same time, when his emotions take over, I’m pretty sure he doesn’t know what he’s doing until he’s already done
it. It’s his heart that leads him to the
reckless, impulsive decision of permanently reviving Chuck, and it’s
responsible for the brunt of the greatest/scariest/most complicated things that
happen to him.
On the
other hand, Emerson is street-smart and imminently practical; some would say
ruthlessly so. He’s not above sniffing
around the morgue and trying to ingratiate himself among some bereaved
next-of-kin in the hopes of securing new a new job. While Ned can be awkward as an investigator
and is almost laughably inept at any type of undercover work, Emerson is in his
element here. He’s well-versed in the
tricks of the trade, knows how to put the screws to someone, and though I
wouldn’t call him a natural cynic, he
certainly comes by it honestly. Once Chuck
enters the picture, it’s Emerson who chews Ned out for his hasty actions and
worries that Chuck will be found out, throwing a wrench in his operation with
Ned. And later, he becomes the annoyed
observer of their overall schmoopiness and is sometimes roped into playing the
begrudging proxy to their hugs, high-fives, and hand-holding (if Ned and Chuck
touch a second time, Chuck will be dead again forever.)
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