Like Willie
from Our Hospitality, Johnnie is a
rather unique Buster Keaton character in that he’s never really all that
fumbling. He’s an unlikely leading man,
to be sure, an underdog, but he doesn’t go through the same “hapless to heroic”
journey that many of Buster’s arcs follow.
(Side note: picking Willie and
Johnnie as the first Buster characters I’ve singled out in no way indicates
that I prefer characters that subvert
Buster’s usual arc. More than anything,
it just indicates the films I’ve mostly recently rewatched.)
Early
in the film, Johnnie is perhaps framed
as fumbling or hapless, but it’s just a perception. He’s physically smaller than most of the other
men enlisting in the army, and when he tells Annabelle Lee that they wouldn’t
take him, she assumes he’s lying to hide his cowardice. In truth, though, just as Johnnie does try to join up, his size isn’t the reason he’s rejected. It’s actually that he’s considered more
valuable to the Southern cause as an engineer than a soldier (not that the army
tells him that, of course.)
Once
the main story gets started and Johnnie goes after the Yankee soldiers who
stole his train, he certainly slips up and does some clumsy things, but his
overall progression is always toward
getting the job done. There’s no scene
where, despite his best efforts, he makes a mess of everything, like Willie’s
first attempt to drive the boat in Steamboat
Bill Jr. or Friendless’ effort to milk the cow in Go West. Instead, Johnnie
consistently works through his missteps and manages to stay afloat. When he accidentally knocks the cannon loose
so it points at him instead of the Yankees, he avoids blowing himself up, and
when the train takes off without him, he (eventually) catches up to it. I like this, that he’s simultaneously klutzy and effective.
There’s
also the fact that he’s a civilian singlehandedly taking on a group of Union
soldiers. They have weapons that he
doesn’t, not to mention training that he’s never had, but he never backs
down. He keeps at it, continually coming
up with creative ideas to gain the upper hand and using whatever’s on hand to
his advantage. Plus, he’s recently been
hit with the misplaced revelation that the army doesn’t want him and been
jilted by his girl, so he’s not exactly coming at this from a place of
confidence. Does that inform his
determination, a need to prove the doubters wrong? It certainly helps to bring things around
full circle in the end, but the narrative doesn’t really sell it that way. More than anything, it shows us a guy whose
self-esteem has taken a few knocks but who steps up to be a hero without any
real thought of himself. Very cool.
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