
*Spoilers from episode 1*
I liked this episode. Does it help that I know I only need to wait one or two episodes between Joel Fry appearances? Maybe, but it’s a good episode regardless, building on the plots from the season premiere.
The execs had hoped that giving Ryan a trial appearance on Match of the Day would be enough to show that he wasn’t hired because he’s a “crap presenter,” not because of his crossdressing. But it backfired—while the football fans hated Ryan’s dull, choppy commentary, he (and the outfit he wore) have blown up on Twitter. “#SexyFootball” is trending, and the papers are asking if the BBC is “brave” enough to hire a crossdressing TV presenter. He’s due to come in to discuss his future at the BBC on the same day that a civil servant is visiting the building. Fiona will be in charge of the charter renewal negotiations, so they want to put their best foot forward as they navigate this delicate situation. Elsewhere, Jack has gone full steam ahead on coopting Will’s idea for On Your Bike, with Will’s somewhat unwitting help.
Ryan Chelford is our character of the week. He’s played by Ben Batt—I knew he looked familiar, and after checking his IMDb, I realized I know him from the U.K. version of Shameless, where he played Joe. He’s entertaining, in an awkward way, as the painful un-insightful former footballer. Whether he’s in front of the camera or just talking to one of the execs, it’s immediately clear that his wardrobe is much more interesting than his personality or conversation.
The execs already have enough on their plates, trying to placate Ryan while Fiona is watching. But matters are even more difficult for Lucy. Ahead of their charter renewal, the BBC is reducing the number of executive positions, and the Head of Inclusivity/Head of Diversity posts are going to be rolled into one. Lucy’s been the one trying to sort things out between Ryan and BBC Football, and it’s her idea they’re going to be offering him in the meeting. But after he arrives, they’re met by Faiza, the Head of Diversity. Despite not having met any of the people involved, she’s eager to take over the whole show, and as she jockeys for clout over Lucy, it threatens to blow everything up.
(Note: having both a Head of Diversity and a Head of Inclusivity indeed feels like overkill from clueless cishet white men who are desperate to avoid getting called racist/sexist/etc. But now that they’re downsizing the roles, the end result is pitting two women of color against each other.)
Last episode, the “hello present” from Fun Media to the BBC wound up being BBC Me, an online platform for user-generated content to “give the BBC back to the people” (Siobhan’s team were not the brain children behind this idea.) And that’s what may become the fate of On Your Bike. Will’s original idea, further developed by Izzy, is a take on a classic talk-show but set on bikes, with the host and the guest chatting while riding around different places in the UK. But now the BBC is hungry for content to feed BBC Me, and Jack has reinvisioned the concept as users taking short “video selfies” of themselves on bikes. Izzy is really angry on Will’s behalf, but he doesn’t seem to fully realize the implications of what’s going on here. And while it still doesn’t help On Your Bike, Jack does get a taste of his own medicine when he finds out David has already run off to one of the execs with his work. Doesn’t feel so good, does it, Jack?
David Tennant had some good bits in his narration today. Here are my favorites:
- Great phrasing/delivery throughout here – “As part of the BBC’s new More of Less initiative, junior executives Ben and Jerry have discovered that they’re going to be given the opportunity to apply for their own jobs. The total of which has been revised downwards going forward from the current figure of two to a new total of one.”
- Ian has been a bike guy since the start of Twenty Twelve, coming to work on a foldable bike, though it wasn’t until series 2 of W1A that he got the hang of consistently folding it without smashing his fingers. Anna’s latest unspoken attempt to get closer to Ian involves a new bike of her own – “Not only has Director of Better, Anna Rampton, apparently decided to join Ian on two wheels, but, like him, she’s gone for wheels that are theoretically at least foldable, if you were listening to the person in the shop who explained how to do it.”
- I like this description of Fiona’s arrival at the BBC, which is just a revolving door of introductions and handshakes with various executives – “Given the potential significance of the charter renewal process, for the future of the BBC and everyone currently inside it, it’s important that the visiting delegation feel as comprehensively met and greeted as possible.”

