For my
money, “Before the Flood” doesn’t conclude this story as well as “Under the Lake” began it, which is disappointing.
It’s still fine, and I enjoy it, but after the fantastic promise of part
one, part two lets it down a bit.
This
episode finds our heroes separated by time and circumstance. While Clara remains on the underwater base with
half of the crew, braving the ghosts and trying to work out the newest clues
they’ve been given, the Doctor is back in time with the other half. He’s gone back to before any of this
happened, hoping that if he can understand how it came about in the past, he’ll
know how to stop it in the present. Lots
of timey-wimeyness going on here, along with plenty of debate on the should- or
should-not-ness of trying to change the future.
The
supporting cast remains great. I
continue to love Cass, the Deaf commanding officer; she’s tough, smart, and
brave, and she fights hard for the people she cares about. I also really like O’Donnell, former
intelligence and self-confessed Doctor fan.
She drops in some delightful continuity mentions (the whole episode has
oodles of new Who continuity porn –
for some reason, name-dropping the Arcateenians, who’ve actually only appeared
on Torchwood and The Sarah Jane Adventures, made me smile the most,) and she may
have the most loveably-accurate TARDIS geek-out moment I’ve ever seen.
Beyond
that, the atmosphere is creepy, and the Fisher King, the story’s Big Bad, is freaky.
He’s awesome and terrible, and the Doctor’s confrontation with him is
probably the best scene in the episode.
After last season, which often felt so stingy about letting Twelve be a
hero and do stuff, they’re really making up for it this year. He shines so much when he goes one-on-one
with the bad guys, and the Fisher King is an excellent opponent for him to
face. And as a bonus, we’re given a
little face time with someone from Tivoli, the most invaded planet in the
galaxy. I loved all the Tivoli jokes in “The
God Complex,” and they’re almost as fun here.
On the
downside, the episode relies heavily on a number of overused new Who plot devices, including more than
one that got significant play in the season’s opening story, ie The One Right
Before This One. For the sake of
spoilers, I won’t get into which tropes are brought forward yet again, but I’m
getting tired of at least a few of them, and especially after “The Magician’s
Apprentice” / “The Witch’s Familiar,” it was way too soon to bring them back.
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