Okay,
so I don’t find this passionate, determined TV producer fighting the boys’ club
of the mid-century BBC quite as cool
since I saw the incredible Verity Lambert in An Adventure in Space and Time.
Not only is Verity a) BAMF, b) a real person, and c) the first producer
of Doctor frickin’ Who, accounts also suggest she was even
more awesome in real life. So really,
who can compete with that?
But that’s
all right, because Bel is still pretty great.
She’s a woman with huge ambitions that she doesn’t apologize for. In the ‘50s, an age when female producers
just weren’t a thing, Bel goes after the captain-of-the-ship position on The Hour, a news program with an
arresting new format and its sights set on the stories other programs aren’t
telling. Plenty of men in her industry
think she can’t do it, and it’s even suggested that she may have gotten the job
due to a perception that she’d be easier than a male counterpart to steer
behind the curtain. Is she perfect, as a
person, a woman, or a producer? Of
course not, but her creative vision and fierce dedication pay off in big ways. When colleagues and work contacts give her
the old “run along, darling; men are working” attitude, it hurts, obviously –
near-daily backhanded slaps in the face – but she grits her teeth and keeps at
it. She recognizes that, ultimately, no
matter how cutting and pithy her retorts to their casual, deep-ingrained sexism
are, the only real way to beat them is to prove them wrong.
Now,
she naturally wants big things for herself and her career, but she also wants
nothing but the best for her program.
Bel has a keen eye for television:
what does and doesn’t work on-camera, how to build an interview to a
crescendo, and how to get around the red tape set up to limit journalists. What’s more, she has an honest, hard-won
fervor for news. What happens, at home
and around the world, matters to her, and nothing is more precious to her than
presenting the news in provocative ways that make people look at a subject from
a hitherto-unseen angle. Though not
quite as reckless as Freddie, she puts herself out on any number of limbs in
pursuit of an important story. In the
battle for Bel’s attentions, her work comes first pretty much every time.
On the
personal-life side of things, it’s hardly the first time we’ve seen a story
about a woman whose flings and love interests can’t handle her dedication to
her work. However, this is one of the
most well-done versions of this trope that I’ve seen. I love
that the show gets that it’s not just about her obligations, or using work to
deflect addressing daunting personal stuff, or even her desire to prove herself
to people who don’t believe in her.
These things are all factors, but at the heart of it is her passion for
news. When Bel says she loves her work,
I buy it wholeheartedly – she talks about the news the way other characters
talk about their love-interests.
Gorgeous.
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