I
remember the skepticism when it was first announced that M’Baku would be
featured in Black Panther. Better known by his comic book moniker Man
Ape, it’s needless to say that some had their doubts such an uncomfortable
character had a place in the film. But
the creative team (including Winston Duke, who plays M’Baku) rose to the
challenge. M’Baku doesn’t bring the film
down in the slightest – on the contrary, he’s a fan favorite and frequent
scene-stealer. Not bad at all for a
character that elicited horror/disgust from some fans when they found out he
was going to be in it (some spoilers.)
Like Doctor Strange’s Ancient One, “Man Ape”
is a remnant of the racism much more openly accepted in a previous era and
problematic as hell. When faced with a
racist stereotype, Doctor Strange
decided to sidestep the situation by casting a white woman as the Ancient One,
erasing potential Asian representation in the film as they threw the baby out
with the racist bathwater. Black Panther takes a different
approach, reimagining M’Bake in a respectful way.
While
most tribes in Wakanda worship the panther goddess Bast, M’Baku’s Jabari
worship Hanuman, a god who takes the shape of a gorilla. The Jabari wear animal skins as part of their
dress (iconic and practical – they live
in the mountains where it’s cold,) gorilla carvings adorn their architecture,
and M’Baku wears a gorilla mask (much like T’Challa wears a panther mask)
during a tribal ceremony. Certainly, the
film doesn’t shy away from the gorilla imagery; the Jabari revel in it, and
they use their hooting tribal chant to disquiet their potential foes.
M’Baku
and the Jabari revere their gorilla god, but they’re not gorillas. M’Baku is a
formidable fighter who relies on his size and brute force to intimidate – he knows
how to make himself “scary” – but he’s also a savvy leader. While he’s genuinely dangerous, he also knows
how to play into people’s ideas of the Jabari to project the idea of being dangerous. He knows how to use that to throw people off
balance, turning it on and off to keep potential enemies guessing; threatening to
feed Everett Ross to his children, then cheekily confessing that they’re
vegetarians, is a great example of this.
There’s
no question that M’Baku has the brawn and physicality to back up his threats
when he has to. That said, he’s shrewd
enough to know he doesn’t always have
to. He’s a plain-spoken leader who looks
out for the interests of his people; he’s not apt to risk their lives for the
concerns of other tribes, but he can be persuaded to get involved if he’s
convinced that it’s for the protection of the Jabari as well. He’s proud and ambitious, eyeing Wakanda’s
throne on the day of T’Challa’s coronation, but while he fights hard for the
throne, he respects the rules of ceremonial combat and doesn’t cheat. When T’Challa is presumed dead and Nakia
offers M’Baku the power of the Black Panther in exchange for an alliance
against Killmonger, M’Baku proves himself honorable, admitting that the Jabari
found T’Challa clinging to life instead of taking the heart-shaped herb for
himself.
Also? He has a wicked sense of humor (see above,
re: Everett Ross.) This maybe isn’t a must-have for a tribal
leader, but for a Marvel hero’s frenemy, it’s a major asset. Can’t wait to see more of M’Baku and the
Jabari in future installments.
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