This
episode was written by Sarah Dollard, who penned last season’s “Face the Raven,” and the ending of that episode notwithstanding – which I’m sure Moffat
wrote anyway, considering its season arc relevance and general Moffatness – I
enjoyed it a fair amount. As such, I was
looking forward to seeing her work again, and I’d say delivered quite handily
this year.
The
TARDIS materializes on the frozen Thames just in time for the 1814 Frost
Fair. The Doctor and Bill get in on the
festivities, but it’s only a matter of time before things get all crazy and
sci-fi. There are mysterious lights
beneath the ice that appear to be sucking people under, and our heroes quickly
discover a beastie to go with them. In
this case, though, the real monster may not be the creature below the surface.
This
being Bill’s first trip to the past, it’s only natural that they bring up her
race in reference to time traveling.
Overall, they handle it decently, I think. The view they take is rather too sanguine for
the period – of course the baddie is
the only person who’s openly racist to her, although it comes with a great observation
by the Doctor and Bill – but I think they make up for it by emphasizing how
non-homogenous Regency London was. Even
if the circumstances are pretty sugarcoated, I appreciate the Doctor
acknowledging that history is a lot more diverse than history books would have
you believe.
As for
the story, I’d say it’s a good one all-around.
There’s some scariness, an interesting mystery, some fine laughs, and
what I think are probably the most well-defined one-shot characters of the
season so far – for all that I’ve sincerely loved the last two episodes, they
are a bit thin on characters other than the Doctor and Bill. As usual, however, the interactions between
Bill and the Doctor are the real draw.
There
have been many episodes like this one, the episode in which it gets seriously real
for the companion where the Doctor is concerned. Up until this point, there’s naturally been
danger and high stakes and huge moments, but this is where they start to
realize that running with the Doctor can end up being a dark road to take, and
the Doctor himself, while still the madcap adventurer they’ve come to know, has
also seen and done a lot of hard things over the course of his very long life.
Seeing
this play out between Bill and the Doctor feels raw and real, possibly my
favorite variation on this theme since “The Fires of Pompeii.” Bill is horrified when she starts to
understand just what this life entails, and although the Doctor makes no apologies
for what he does, he also doesn’t pretend it’s easy. Over the course of the episode, we see Bill
coming to terms with a lot, and I think she comes out on the other side with a
much fuller picture of who the Doctor is.
Not as shiny as she’d initially thought, perhaps, but still a good man
doing his best in a universe that doesn’t often give him a break.
I’ll pull
out this line again from The Lion, the
Witch, and the Wardrobe: “Who said
anything about safe? ‘Course he isn’t
safe. But he’s good.” I think Bill gets that, and it’s why I think
she and the Doctor continue to be good for each other.
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