Okay, so
Buster had two TV shows that both aired in the early ‘50s, The Buster Keaton Show and Life
with Buster Keaton. If I understand
it correctly, I think these were essentially the same show airing in different
parts of the country, but I’m not positive (I know that some of the bits from
one or both of these TV shows were also cut into a feature film that was shown
in the UK.) There are a few episodes
from both floating around online, and I’m not always entirely certain with show
they’re technically supposed to be “from,” so over the next few Buster Mondays,
take the title with a grain of salt.
The basic
premise of the show is that Buster works as a sales clerk at a sporting goods
store, and I think also manages a community theatre on the side, if I have it
straight (there’s no theatre stuff in this episode, but I know it plays a part
in some of them.) Regardless, either
locale is a prop-filled excuse for him to get into trouble. That’s how this episode starts, in the
sporting goods store with Buster being a danger to himself and others as he
tries to equip two professors for an expedition to Africa.
But as
you can guess from the episode title, things don’t remain at the sporting goods
store. For reasons unknown, Buster is
enlisted as an assistant to the professors in a soundstage version of Africa
while they search for the “missing link” (since they’re looking for a live
animal and not a fossil, it makes me wonder how widely-understood the idea of a
missing link was at the time.) In
between wreaking his usual havoc, Buster of course stumbles upon the
professor’s big prize – as it happens, the missing link is a
university-educated gorilla who speaks with a plummy British accent (obviously.)
It’s made
most definitely on the cheap, and the plot, as you can see, is pretty
hokey. Some of the jokes are
off-the-wall in a good way, while others feel stale. There are a few decent pieces of slapstick –
especially Buster getting his hand caught in a trap and badly attempting to
erect his tent in the jungle – and the odd bit of good business here and there,
but not as much as you’d hope to see from Buster.
Also,
this being 1951 and the characters of a sitcom making a trip to Africa, the
portrayal of African people is decidedly lacking. There are a few bits about “superstitious
natives” and the like, and just a general insensitivity. That said, there’s one English-speaking
African character with whom Buster chiefly interacts, and I do appreciate that
Buster always talks to him like a regular guy.
For all I know, that would’ve been comic in and of itself to audiences
in the ‘50s, but I’m glad not see Buster speaking in exaggerated pidgin English
or otherwise talking down to him, so that’s something.
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