I
should preface this by saying that most of the examples I’ll be discussing in
this post are more “disappointing” than outright “bad.” Despite its lack of LGBTQ regulars, Who is more queer-friendly than a lot of
shows out there. The instances that
really rankle are being saved for the “ugly” post next week, and so, today’s
write-up is more about things that could have been better.
I
mentioned last week that I like Canton, as well as Vastra and Jenny (though I’ve
discussed my conflicting feelings about that pair,) and I do. However, I think that all three are written a
bit insensitively for their time periods, especially where marriage is
concerned. I fully believe that Canton
would’ve wanted to be married, and the extreme illegality of it at the time wouldn’t
have changed his longing for equality.
That said, “I just wanted to get married” doesn’t make sense as a reason
for being kicked out of the FBI. One, I
doubt Canton was actively attempting to marry, two, I doubt he would’ve told
anyone at the FBI about his dream, and three, it’s not like they would’ve kept
him on if he hadn’t wanted to get married in particular. He was dismissed for being gay, and to tie it
specifically to marriage seems a bit too contemporary for what the gay
community was experiencing in the ‘60s (plus, it feels worded that way mainly
to facilitate the “gay reveal” at the end of the two-parter.) Similarly, it’s entirely reasonable that
Vastra and Jenny would consider themselves spouses and treat each other as such,
but again, the wording seems strange for the period. I’d appreciate even one line to the effect of,
“England’s church and lawmakers may dictate as they please, but Jenny is my
wife and they cannot take that,” acknowledging the inequality of the time while
celebrating Vastra and Jenny’s defiance of it.
Both
Canton and Vastra/Jenny tie into my next point, so I’ll stick with them. In the last few seasons, orientation has
become a bit more of a Thing on Who,
in that it’s more likely to be revealed rather than incorporated. What I mean is, lately, we’ve been getting
less of that casual inclusion that I talked about last week. Instead, Canton’s dismissal from the FBI is
discussed with only this vague marriage explanation, until he finally comes out
at the end of his last scene on the show.
It’s set-up like a Moment, a gotcha! line. In this way, his orientation isn’t a facet of
his character – it’s his “twist.” And
while we’ve of course known about Vastra and Jenny’s relationship since their
first episode, “The Snowmen” (the first to mention their marriage) seems to
relish scenes of them telling the stuffy, pearl-clutching Victorians that they’re
married. They’re not allowed to just be;
it almost feels like the marriage is there, not due to their love for each
other, but so they can shock people. To
be fair, the show also leans pretty hard on the “lizard woman” card, but my point
is, their relationship shouldn’t be for
anyone else. It’s for them, and
unfortunately, it doesn’t always feel that way.
No comments:
Post a Comment