Okay –
so the first (few) times I watched Torchwood,
Owen did nothing for me. Granted, I
acknowledged from the first that he’s a lot better after series 1, but I was
cynical about the course correction, regarding it as a too-little-too-late
attempt to make fans like him. Somewhere
along the line, though, he started to grow on me, and on my most recent Torchwood rewatch, I actually found
myself appreciating Owen quite a bit.
Much of that is down to Burn Gorman’s excellent acting, but overall, I’ve
learned to enjoy Owen for what he brings to the show.
Like
many Whovians, I was completely turned off by Owen’s ugly ethics in Torchwood’s pilot. It’s what initially put Owen in my doghouse
and kept him there for a long time. “That
scene” still bothers me, and I will never, ever
be okay with what Owen does in it. However,
inexcusable as it is, I’ve come to believe that RTD and co. really didn’t
consider its implications. I think they
were going for roguish and id-feeding, along with what they probably assumed
would be a cheap laugh, and no one realized that they ended up with heinous and
gross. So, while the incident itself
remains awful, I’ve grown more inclined to blame the writers for it rather than
the character, especially since it’s the only time we see Owen do anything like
that.
This
reassignment allows me to look more generally at Owen without that distasteful,
deal-breaking scene clouding the lens, and more generally, he’s fairly
interesting. I get a better sense of the
character I think the show set out to create, a man who uses his antisocial
behavior, sarcasm, and lightly-taken sexual encounters to keep people at arm’s
length. In many ways, he’s a somewhat
more extreme version of the leading man in the “hate” portion of a love/hate
romance – plenty of moments in which viewers (and Gwen) can say, “What an
unfeeling jerk!” and yet, there are just enough flashes of genuine humanity
that we’re kept on the line while he slowly becomes a better person.
As is
typical with characters of that sort, the show rolls out his tragic origin
story in due time, but it mostly avoids the woobified bad boy trope. We learn what caused Owen to put up his
walls, and it’s truly terrible, but Owen, Jack, and the audience are the only ones
who are ever made privy to this traumatic experience. It’s shown only in flashback with no
present-day discussion, rehashing, or dramatic in-show reveal, and as such,
there’s no character to exclaim, “This
is why Owen is the way he is!” The
knowledge doesn’t sweep any of his callousness or insensitivity under the rug,
doesn’t romanticize the recklessness that masks his issues. Rather, it only contextualizes him and makes
him a fuller character.
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