Gotta
love The Boat. Even though I wouldn’t quite put it up with
my absolute favorite Buster Keaton shorts, like One Week, Neighbors, or Cops, it’s very Buster, and it just tickles me.
The
plot is very basic. Family man Buster
has built a boat, the Damfino, in his cellar (because reasons,) and the short
depicts the misadventures that ensue as he, his wife, and his two small boys
take it on its maiden voyage. The
Damfino leaves a trail of destruction, against itself and other structures,
wherever it goes, and when a storm kicks up, things really go south.
In a
way, this short is a more focused, seafaring version of the train sequence in Our Hospitality. As with the train, it’s mainly a series of
vignettes showing how ill-equipped the Damfino is for being on the water and
how Buster and his family face the problems it sends their way. I’d say it’s not quite as funny as Our Hospitality’s train stuff (so much
love for that film, it’s ridiculous,) but it builds better to a
comedic/dramatic head with the climactic storm and its fallout. This is as it should be, since The Boat is a self-contained short and
not an extended comic sequence in a feature film with a bigger story to tell,
but the comparison itself is maybe a slight critique of The Boat – though it comes around in the end, it does mostly feel like a sequence rather
than a story.
Still,
you can’t knock the fun it has in the meantime.
I’ve already talked at length about the famous “Damfino” jokes and the
hamster-wheel-esque, superbly executed Buster-in-the-cabin-of-the-revolving-boatscene, so I won’t get into those again.
There’s plenty of other stuff to talk about. Right from the beginning, the Damfino is
clearly trouble (Buster has built it too large to fit through the cellar door,)
but bless him, Buster is determined to get the better of it. There are some fun mechanical gags, like the
boat’s collapsible fixtures and the bathtub lifeboat, and the image of Buster
stoically going down with the ship as
they’re still launching it is classic.
For me,
much of the beauty of this short is in the little touches. I love Buster literally pulling himself up by
the seat of his pants when he falls overboard, and there’s something so
delightful about Buster and his sons all hiding their inedible pancakes in
their hats. There are some great moments
during the storm sequence, too, like Buster trying to light a candle in the
middle of a howling gale/downpour. And
as much as I love Buster struggling against the hole he’s drilled into the
bottom of the boat (to funnel out the water from the hole he made in the side, obviously,) what really kills me are his
attempts throw the water out the porthole one teacupful at a time.
Once
again, we have Sybil Seely as Buster’s wife, being a nice, charming presence in
a role that doesn’t give her too much to do.
I absolutely love the two little boys playing Buster’s sons – not for any
particular acting that they do, but for the great extent to which Buster uses
them as glorified props. I adore the
fact that they wear matching porkpie hats, and it cracks me up every time
Buster hauls one of them around like a sack of potatoes. I’d say Buster probably required more acting
from most of the dogs, horses, and cows he worked with, but those boys sure add
a lot just for what he does with them.
Warnings
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