On to
Act II now – the Revolution’s over, and it’s time to start the business of
building America. Here we go!
“What’d I Miss” – Our fabulous
introduction to Thomas Jefferson.
Wonderfully catchy, and it does an excellent job of establishing the
conflict that will drive Act II, the clash between Hamilton/the Federalists and
Jefferson/the Democratic-Republicans.
Daveed Diggs is terrific as Lafayette, but he’s equally great as Jefferson.
Best
lyric: “Not so fast. Someone came along to resist him. / Pissed
him off until we had a two-party system.”
“Cabinet Battle #1” – I love that cabinet debates are posed as
rap battles. The fantastically clever,
intricate rhymes, combined with the high stakes of deciding economic policy and
heaps of hip hop swagger, make this a standout number in a show packed with
amazing music. Hamilton absolutely
shines here.
Best
lyric: “A civics lesson from a
slaver. Hey, neighbor, / Your debts are
paid cuz you don’t pay for labor. / ‘We plant seeds in the South. We create.’ / Yeah, keep ranting, / We know
who’s really doing the planting.”
“Take a Break” – A plotty song, but
a really good one. I love the letters
exchanged between Hamilton and Angelica, and the echo of the “Schuyler Sisters”
theme is lovely; Angelica and Eliza harmonize like nobody’s business. Here, we start to see some of the fallout of
Hamilton’s dedication to his work above all else.
Best
lyric: “‘Tomorrow and tomorrow and
tomorrow / Creeps in this petty pace from day to day.’ / I trust you’ll
understand the reference to / Another Scottish tragedy without my having / To
name the play.”
“Say No to This” – An interesting
look at one Hamilton’s least flattering moments. With his family away for the summer, Hamilton
finds himself tempted, sucked in, and finally extorted by a working-class woman
with an enterprising, unscrupulous husband.
Best
lyric: “Uh-oh! You made the wrong sucker a cuckold, / So
time to pay the piper for the pants you unbuckled.”
“The Room Where It Happens” – An excellent
number, Lin-Manuel Miranda’s answer to Sondheim’s “Someone in a Tree.” Here, we have a historical event in which we
know the outcome – Hamilton’s compromise with Jefferson and Madison, trading
the location of the nation’s capital for Senate approval of his new financial plan
– but none of the particulars of how it went down because “no else was in the
room where it happened.” Burr leads this
fine song about the unknown nature of the political beast.
Best
lyric: “God help and forgive me, / I
wanna build something that’s gonna outlive me.”
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