"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love
Showing posts with label The Field of Blood. Show all posts
Showing posts with label The Field of Blood. Show all posts

Sunday, December 22, 2013

Three Days to Christmas

And here’s part two of my case for PC as the Doctor.  We’ve talked Danny, the British Ambassador, Islington, and Rory.  Now, I submit the following:
 
 
Mark Collins, Psychos
 
Ah, everyone’s favorite bipolar mathematician.  The Doctor’s I’m-clever-and-I-know-it-ness is a big part of who he is.  With Mark, PC shows he can deliver intelligent, cascading monologues with speed and precision.  Adding in some technobabble shouldn’t be a problem.  Plus, Mark’s manic state has him pin-balling from topic to topic; sound familiar?  It’s easily reminiscent of the way the Doctor’s mind races four steps ahead of everyone else in twelve directions at once.
  
 
Malcolm Tucker, The Thick of It
 
Amusing, sweary youtube mash-ups aside, there are similarities between the Time Lord and the foul-mouthed spin doctor.  For starters, the Doctor has boundless energy.  Like with Mark above, this is no problem for Malcolm.  Whether he’s threatening the life of a junior advisor or running frantically across Whitehall, the man has energy in spades.  If you think PC is too old for the physical demands of Who, think again.
 
And of course, there’s the anger.  While the Doctor gets up to plenty of lighthearted antics, he’s also a powerful man who combats a lot of evil.  Anger is a well that different Doctors draw from to different degrees (Six, anyone?,) but all employ it from time to time.  Malcolm is best known from his shouty anger (think Seven taking on Davros in “Remembrance of the Daleks,”) but there are also times when he goes scary-quiet (Ten destroying the Rachnoss in “The Runaway Bride,”) or when he gets in someone’s face and the gangly man suddenly becomes intimidating (Eleven confronting Ambrose in “The Hungry Earth” about his stance on weapons.)
 
And come on – if Malcolm’s business cards don’t refer to him as “The Oncoming F***ing Storm,” they really should.
 
 
Dr. Pete, The Field of Blood
 
True – a depressed alcoholic isn’t the first thing that springs to mind when I think of the Doctor.  There’s a sadness to the Doctor, but it isn’t the ragged type of sadness that clings to Dr. Pete.  The Doctor’s sadness presents itself in different ways (Nine was a raw nerve, Ten was all about the emo, and a lot of Eleven’s ADD-ness masks his pain,) but he never seems defeated by it.
 
No, it’s not the sadness I’m interested in here; it’s the weariness.  The Doctor has lived long and seen a great deal, and sometimes that weighs on him, cutting through his usual mad exuberance.  Dr. Pete has that same sort of quiet weariness.  Now, he basically lives in the state while the Doctor only shows flashes of it, but it’s still an important part of the character.  It’s the accumulation of his experiences, travels, and losses, and PC’s performance as Dr. Pete proves he can deliver there.
 
 
Randall Brown, The Hour
 
Randall is just one of many highly-intelligent characters PC has played.  I’ve already mentioned wise Islington, clever Rory, smart-as-a-whip Mark, and shrewd Malcolm.  But Randall’s special talent is his perceptive nature.  He sees into people, understanding their pain and motivations.  More importantly, he sees himself reflected in them, and he proves capable of great empathy.
 
This is crucial for the Doctor, especially in his relationships with his companions.  I think of how Two connects with Victoria in “The Tomb of the Cybermen” over losing her father, or Eleven’s intuition that Amy is drifting from him in “The Power of Three.”  Though Randall can seem stiff, there’s such warmth in him, and I think the Doctor’s warmth is another of his best traits.
 
There’s also Randall’s tendency toward recklessness.  He frequently breaks the rules, either because he believes it’s the right thing to do or because his curiosity is driving him to see what will happen.  To crib from C.S. Lewis, the Doctor is good but unsafe, and the show frequently sees him diving headlong into dangerous situations.  The overlap with Randall is strong here – sometimes the Doctor dives because he believes in its rightness (like Five searching for Peri’s antidote in “The Caves of Androzani,”) and sometimes he dives because he simply has to see what he’ll find if he does (like Ten lowering himself into the abyss in “The Satan Pit.”)
 
 
Peter Capaldi
 
Finally, PC himself is proof of his ability to bring the Doctor to life.  The picture above is from a letter he wrote to Doctor Who Magazine after he was announced as Twelve.  PC is a Whovian from the early days who has a genuine love for the show and wants to do it, and us, justice.
 
Furthermore, he just gets it.  I’ve grown wary of Moffat playing with classic series continuity, because his penchant for leaving his mark often feels like he’s writing “STEVEN’S – DON’T TOUCH” on the show in a big black crayon.  But PC seems to understand that Who belongs to everyone who loves it.  It’s his Who, Moffat’s Who, the cast/crew’s Who (past, present, and future,) and it’s our Who as well.  I have every confidence that, for his time with the series, he’ll be its steward and look after it for us.

Tuesday, December 3, 2013

The Field of Blood: Series 1, Episode 2 (2011)

 
The conclusion of this story most certainly did not disappoint.  Paddy follows her instincts and scrounges for leads.  She sees the power of journalism first-hand, makes some truly harrowing discoveries, and shows absolutely everyone in the story what she’s made of.  I’ve never heard of Jayd Johnson, who plays her, but the character is tremendous on all fronts.
 
To sweeten the Field of Blood pot, I should also mention that the editor of Paddy’s newspaper is played by David Morrissey, who I first saw as Stephen Collins in the terrific State of Play, and of course he played the titular character on the Who Christmas special “The Next Doctor.”
 
And now, on to the main course:  we see a lot more of Dr. Pete in episode 2.  While he’s not exactly a central character, he’s an important one.  Paddy’s chief lead in her story is the similarity between the present murder case and another that happened years ago, and guess who did a lot of the reporting on it?  Dr. Pete confides that he always believed the convicted man was innocent, and he hopes that Paddy clears Callum’s name, doing what he couldn’t back then. 
 
Dr. Pete is a possible mirror for Paddy’s future – a weary, hard-drinking journalist who’s “misplaced” his faith, he’s let the job consume whatever drive he once had, whatever hopes.  “Cynics are just heartbroken idealists,” he tells her dazedly, numbed to the point that he’s hardly there anymore.  But in Paddy, I think he sees a spark of the journalist he must have been once, and that spark is enough to shake him out of his complacency.
 
As for the Dylan Thomas, I just have to rave about it for a bit.  It’s hardly the most insightful interpretation of the poem – Dr. Pete is practically marinating in alcohol as the time, making it more of a morose, drunken rant than anything else.  What I like about this recitation, though, is that it’s all about what the poem means to him.  He starts in a quiet monotone, almost as an afterthought, but listen to his voice, and you’ll hear in an instant which lines he feels are the vital ones.  A really interesting way of look into the unseen life of this character.
 
Final thoughts:
 
Accent Watch
 
The accent is super-thick here.  I really had to listen to catch his lines; the inebriation didn’t help.
 
Recommend?
 
In General – Absolutely.  There’s a second season of The Field of Blood that came out this year, and I plan on tracking it down once Capaldi Fall is over.
 
PC-wise – Very much so.  Great performance of a very sympathetic character.
 
Warnings
 
Add some sexual content, including a brief sex scene, and an intense scene of violence.

Monday, December 2, 2013

The Field of Blood: Series 1, Episode 1 (2011)

 
And why is The Field of Blood the next stop on Capaldi Fall, you might ask?  I have a certain youtube video to thank for that, a clip of a truly spectacular poetry recitation from this show.  PC quoting Dylan Thomas?  I’m so there.
 
But there’s a lot to stick around for.  At the center of The Field of Blood is Paddy Meehan, a young would-be journalist chomping at the bit to upgrade her copy-girl status at a Glaswegian newspaper.  She thinks she’s hit pay-dirt when she snags a scoop for a big story, but things turn sour when she realizes it’s a story she doesn’t want to be telling: the suspect arrested for the murder of a toddler is her 10-year-old cousin Callum.  While the rest of the paper chases this chilling, scandalous lead, Paddy follows her conviction that Callum is innocent. 
 
I’m only halfway through this two-part story, but I’m absolutely Paddy’s girl.  She’s smart and tough, and though she goes after what she wants, she has personal and professional lines she won’t cross.  I can’t wait to see her uncover the truth of what happened.
 
The above-mentioned Dylan Thomas quoting must happen in episode 2.  Not much PC here, to be honest.  He plays a journalist at the same newspaper as Paddy, and IMDb tells me his character’s name is Dr. Pete, which seems like an odd name for a journalist.  He’s barely more than a glorified extra at this point – he’s had exactly one line – but since he’s listed fourth in the opening credits and I’ve seen some rather compelling youtube evidence, I’m assuming he’ll have a lot more to do in the second episode.
 
Despite his nigh-infinitesimal amount of screentime, however, I can’t complain too much.  The only times the camera focuses on Dr. Pete, he’s sticking up for awesome Paddy, which is an enormous check in the plus column for me.
 
Initial thoughts:
 
Accent Watch
 
Here’s another story that takes place in Scotland, and PC has the accent to match. 
 
Recommend?
 
In General – So far, big yes.  Taut mystery, some fine acting, and a fantastically rootable heroine.  I’m excited for the next episode!
 
PC-wise – From this episode, too early to say.  But just wait.  Dylan Thomas – it’s happening.
 
Warnings
 
Dark subject matter, a scene of violence, and some swearing and drinking.  Also, if you don’t like it when perfectly healthy-sized women are called fat, you may find yourself wanting to smack several characters – journalism in Glasgow in the ‘80s was such a boys’ club.