"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love
Showing posts with label Harry Potter and the Sorcerer's Stone. Show all posts
Showing posts with label Harry Potter and the Sorcerer's Stone. Show all posts

Tuesday, March 19, 2019

Book-Movie Comparison: Harry Potter and the Sorcerer’s Stone

As someone who’s seen all the Harry Potter movies multiple times but has lately started revisiting the books for the first time in years, it’s time to look at the films again specifically from an adaptation standpoint.  The Sorcerer’s Stone – like, I’m assuming, The Chamber of Secrets to follow – is pretty faithful to the book, but there are still changes made here (spoilers.)

Many of the characters are rendered quite faithfully.  McGonagall, Hagrid, and Snape are perfect (even if Alan Rickman was way too old to have been a contemporary of Harry’s parents, thus throwing off the ages for all the actors in that generation,) as are Hermione, Draco, and Neville.  Ron is pretty close, although I’d have liked to see a little more of his fears about not being able to measure up compared to his brothers.  I also feel Dumbledore is just slightly off the mark – the enigmatic stuff is there, along with the cool-head-in-a-crisis thing, but I’d forgotten quite how quirky he is in the books, and that only comes across a little.  And actually, Harry loses a bit of something as well.  He’s recognizably Harry, but at this point, the character doesn’t really have Harry’s sarcastic edge; especially at the beginning when he’s with the Dursleys, he copes with his deplorable circumstances with a lot of biting remarks under his breath (followed by swift ducks to avoid getting slapped or hit – charming folks, his Muggle relations.)

Just about as much of the plot as will fit is present here.  A few things are moved around, some things happen slightly differently, and Neville doesn’t feature in the movie quite as much as he does in the book (he’s along for the first encounter with Fluffy and he gets tangled up in the dragon business, which lands him in detention in the Forbidden Forest with the others,) but the film hits all the major beats and then some.  One of the bigger changes occurs when the trio works their way through the enchantments protecting the Stone.  I understand the desire to cut out one of the challenges, and Snape’s makes the most sense to drop – there’s less action, it doesn’t actually have much to do with magic, and really, why would you create a barrier to the Sorcerer’s Stone and then include a logic puzzle to get past it?  But having done that, it means Hermione gets a solid win with the Devil’s Snare instead of solving the puzzle, and so we lose the great bit of her panicking that there’s no wood to light a fire and Harry shouting, “ARE YOU A WITCH OR AREN’T YOU?”  Love that.

The film also starts the time-honored tradition of shortening the Big Villain Monologue, very understandably so.  Even though villain monologue in every medium, they only do it for pages in books, and that level of expository dialogue couldn’t be sustained onscreen, especially at the climax.  I’d say it strikes a pretty good balance here, including all the important information without dragging it out too long.

The most significant changes, for me, are with some of the more minor characters.  In particular, Lee Jordan’s commentary during the Quidditch match is too factual and not nearly as funny, and it’s clear that Dean Thomas is little more than an extra – I miss his and Ron’s back-and-forth about soccer and Quidditch, and as someone who grew up in the Muggle world, it’s illogical to have him be the one to identify Neville’s Remembrall.

Tuesday, March 5, 2019

Harry Potter and the Sorcerer’s Stone (1998)


Another fantasy series that I’m rereading for the first time in years.  When I was young, I first started reading the books as a precursor to the movies, catching up on each one shortly before its film came out; it wasn’t until about halfway through that I started reading them upon release.  It’s fun to revisit and remember how charmingly this world comes together (a few spoilery references, if anyone still needs a spoiler alert for Harry Potter.)

11-year-old Harry Potter, a long-suffering orphan being “raised” by his horrific aunt and uncle who verbally abuse him, treat him like a slave, and frequently keep him in a closet (just your standard British kids’ book, right?) learns of his extraordinary inheritance.  His late parents were in fact a witch and a wizard killed in a wizarding war, and he himself is famous for surviving the last magical murder attempt by series Big Bad Lord Voldemort, who has since been optimistically presumed dead by the wizarding community at large.  Harry is spirited away to Hogwarts, a renowned school of magic, where he starts honing his craft, making friends, making enemies, becoming a wizard sports star, and, oh yeah, foiling an evil plot.

I recall not being overly impressed by The Sorcerer’s Stone back when I first read it.  To be fair, a lot of that was down to me wanting to resist the hype train that had been building for several years by then, and I’m sure I wanted to think myself “so above” a populist book like that (I was a literary hipster before I knew what that meant!)  However, reading it again, I am reminded of some of the points that made me side-eye the book as a kid.  Our intro to the wizarding world also gives us our intro into 1) Harry being the hero seemingly by fiat at times, just sort of falling into saving the day, and 2) Harry’s penchant for zeroing in on a particular suspect (usually a Slytherin) and very likely being wrong.  These things still bug me, but now that I have so many years of affection built up for this universe, they don’t really get in the way of my enjoyment of the book as a whole.

Because it really is an engaging read.  While the plot has its dubious beats, it’s put together well on the whole, and little tidbits of info that wind up being important later are mostly slipped in unobtrusively.  There’s also lot of fun comedy in the details, including among the monstrously-horrible Dursleys, and a host of eye-catching, memorable characters.  Kooky Dumbledore is terrific (there’s a great line where Ron comments that Dumbledore is crazy, and the narration points out how admiringly he says it,) and the trio is well-defined early on.  Even though Harry is obviously the big hero, I like that all three of them make important contributions to the story, both in terms of finding clues/figuring things out and being brave. 

What I like most, though, is probably the overall world-building.  I love the little things, like the asides about Ron (the pureblood) being just as confused about soccer as Dean (the Muggle-born) is about Quidditch.  From the textbook titles to the descriptions of Diagon Alley shops to the general flourishes around life at Hogwarts, there’s a lot to enjoy.  Returning to it now, I better understand why so many kids fell in love with these books, because they were really able to immerse themselves in the world it offers them.

Warnings

Violence, a little drinking/smoking, scary moments for kids, and thematic elements.

Saturday, June 13, 2015

Harry Potter and the Sorcerer’s Stone (2001, PG)

I really enjoy the Harry Potter films, but their sheer volume makes them quite an undertaking.  Translation?  If you’re gonna do a rewatch, summer’s your friend.  Expect more Potter reviews in the coming months; today, we’re starting where it all began (besides, you know, the books.)

Is there anyone who still needs a plot summary for this movie?  If you’re out there, this paragraph is for you!  11-year-old Harry Potter, a long-suffering orphan being “raised” by his horrific aunt and uncle who verbally abuse him, treat him like a slave, and frequently keep him in a closet (just your standard British kids’ book, right?) learns of his extraordinary inheritance.  His late parents were in fact a witch and a wizard killed in a wizarding war, and he himself is famous for surviving the last magic murder attempt by series Big Bad Lord Voldemort, who has since been optimistically presumed dead by the wizarding community at large.  Harry is spirited away to Hogwarts, a renowned school of magic, where he starts honing his craft, making friends, making enemies, becoming a wizard sports star, and, oh yeah, foiling an evil plot. 

The Sorcerer’s Stone, and director Chris Columbus, get a lot of flack for being an unremarkable start to the series, and such criticisms aren’t far from the mark.  Even though all the Harry Potter books are long, this film drags more than a little – literally 1/3 of the two-and-a-half hour run-time elapses before Harry’s first day of school.  Some of the tone is a bit precious, some of the humor is a bit juvenile, and some of the acting from the young cast is a bit underdeveloped (that last point mostly gets a nostalgia pass, however, on the grounds of Daniel Radcliffe, Rupert Grint, and Emma Watson being so tiny and adorable.)

However, the movie doesn’t get enough credit for all it did to launch the franchise.  The design is mostly terrific – Hogwarts looks fantastic, the big quidditch scene is loads of fun, and all of the characters look basically pitch perfect.  Not to mention, Columbus started off the practice of astounding casting decisions for the series.  Yes, the kids are highly unpolished and some of their line readings are hilarious in the wrong way, but each captures the essence of their character early on, and the chemistry between the main three is everything it should be.  And goodness gracious, the adult cast!  I’m pretty sure Robbie Coltrane, Alan Rickman, and Maggie Smith were born to play Hagrid, Snape, and McGonagall, respectively, and the now-late Richard Harris is a superb Dumbledore (those were the days…)  Smaller parts, like Julie Walters as Molly Weasley, Ian Hart as Quirrell, and the wonderful John Hurt as Ollivander, are similarly spot-on.

And okay, I know I complained about the length, but I do appreciate how this film shows a fair amount of day-to-day Hogwarts stuff.  Even though it doesn’t always know when to move a scene along, it’s nice to get a picture of Harry’s life at school apart from all the foiling-an-evil-plot business.  Some of the later movies are much better at condensing, but most of the little moments tend to get excised completely, so it makes an enjoyable change to see Harry practicing spells in class or learning the finer points of quidditch.  As I gradually work my way through the rest of the films, we’ll see if any hit that sweet spot between bloated and bare bones.

Warnings

Some scary images, light British swearing, and a little crude humor.