"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love
Showing posts with label Cowboy Bebop. Show all posts
Showing posts with label Cowboy Bebop. Show all posts

Monday, January 3, 2022

Favorite Characters: Spike Spiegel (Cowboy Bebop)

*Spike-related spoilers.*

Again, I’m talking specifically about the live-action version. I’ve heard some complaints from fans along the lines of #NotMySpike, and I have no place to tell them they’re wrong, but as someone who hasn’t seen the anime yet, I thoroughly enjoyed Spike in the Netflix adaptation, along with John Cho’s portrayal of him.

We’re introduced to Spike as an irreverent bounty hunter who plays by his own rules. That latter trait tends to attach itself to status-quo-flouting mavericks who are experts at what they do, but with Spike that’s… not quite the case. No doubt he’s excellent at chasing bounties. He’s dynamite in the action sequences, agile and unpredictable, taking wild risks that frequently pay off. However, he has a little trouble remembering that he only gets paid when he brings the bounty in alive, and even when he does, he has a habit of causing so much property damage in catching said bounty that the fees eat up most of his profits. This is no master bounty hunter at the top of his game. This is a talented but impulsive cowboy who just as likely as not loses the bounty while he’s arguing with Jet over something pointless, who’s known to (metaphorically) shoot himself in the foot, and who frequently moves through the system with no more than a few woos in his pockets.

In short, he’s kind of a mess, and I love it. In his relationship with Jet, Spike plays the part of the young upstart to Jet’s cranky papa bear, alternately snarky and sulky. He chafes at Jet’s attempts to lecture him or look out for him, even as he continually makes their lives trickier with his antics. Spike puts on a decent show of indifference, but he cares a lot more than he lets on, and when the chips are down, he usually comes through. This can occur in momentous ways, like when he takes Jet’s place after his friend steps on the pressure plate of a bomb, as well as everyday ones, like when he holds off a mob of goons long enough for Jet to be a virtual guest at his daughter’s recital. Spike is less sure to start with about Faye, but the more she proves herself, the more he slowly lets her in. He begrudgingly respects a sacrifice play she makes to save him and Jet, and when Jet is ready to throw her over for lying to them, Spike argues in her favor.

Of course, part of that is personal on Spike’s part, because he’s lying too. We learn in the first episode that Spike used to be a member of the Syndicate, and until recently, his former gang members have believed him to be dead. Throughout the season, he worries about heat coming down on him from a former friend/rival, and he keeps his eyes open for incoming danger, but he won’t give Jet a heads up about it. Spike knows that Jet, an ex-cop, hates the Syndicate, and he’s afraid that telling Jet the truth will break their partnership.

This is why it works for me that Spike’s laidback, wise-cracking persona sometimes feels like a put-on. Yes, he is laidback and wise-cracking; he flouts the rules and frequently forgets to think about the consequences, and he’s not much for respecting authority. But he’s also a guy with some serious darkness in his past and a potentially-vengeful old friend who just found out he’s still alive. He’s hung up on his old girlfriend, who just happens to the lover of the very man who’s coming after him, and he doesn’t feel like he can tell Jet or Faye about it. So when anyone gets too close to sensitive subjects, when they pick up on his dark moods, what does he do? He makes a joke. He shrugs away any appearance of pain or worry and distracts them with his humor. It’s who he is, but when he feels like he needs to, he leans into it specifically as a defense mechanism.

Put all of it together, and you have a character who’s both entertaining to watch and interesting to follow. I have a lot of love for Spike, from his drawling quips to his wild action moves, and it’s a shame we couldn’t have gotten more of this version of the character. If a number of fans deem him an inferior version, I’m excited to see how great he is in the anime!

Monday, December 27, 2021

Cowboy Bebop (2021)

Before we get into it, I’ll say this from the start: I haven’t seen the original anime, so I can say nothing about this live-action Netfllix version specifically as an adaptation. I know the (unfortunately) short-lived series drew mixed reactions from fans of the anime, but for me personally, coming in cold, I enjoyed it quite a bit and was bummed out when Netflix so swiftly canceled it. (Side note: the original anime is definitely on my watch list, just taking a breather between the two so I don’t have the adaptation so clearly in my mind when I’m watching the original.)

Jet and Spike are “cowboys,” bounty hunters trolling the star system in their ramshackle spaceship the Bebop. In between chasing bounties to earn enough to keep the ship in the air, the two bicker, banter, and deal with personal issues to a varying degree of success. When they cross paths with Faye, a chaotic but industrious amnesiac who’s also in the bounty-hunting game, they’re unsure whether they’d be better off remaining at odds or teaming up.

That summary captures the basics of the show but not really the feel and flavor of it, which are its main assets. I love the space-western-meets-retro-noir feel of these characters and the worlds they inhabit, their quick humor, and their offbeat energy. The storylines juggle bounty-of-the-week type caper plots with gradual movement on a season-long arc involving a dark and tragic backstory.

For me, the bounties are always hugely entertaining—wild, weird, and fun, they flirt with a variety of styles and genres, which keeps them from ever being forumulaic. I’m reminded a little of something like A Series of Unfortunate Events, which has an inventive new backdrop and cast of colorful characters every two episodes, constantly keeping itself fresh as the Baudelaires continue on their travels. No two planets are the same, each bounty presents different challenges and quirks, and development for the main characters is woven into some of these different plots.

I’d say the season-arc storyline isn’t as successful. I wouldn’t call it bad, but it’s uneven. The way it affects the main characters and their relationships is pretty much always compelling, but moving it forward by degrees every episode requires spending a number of scenes with backstory characters I don’t care about as much. Their ongoing plot feels repetitive to me and far less entertaining, and I’m only really interested in it to the extent that it affects Spike and his relationships with Jet and Faye.

At this point, a trio is such a solid genre convention that I have no idea who was the first to popularize it, but Spike and Jet are a terrific pair of odd-couple partners whose combative friend chemistry is only made better by the introduction of wildcard Faye. These three are so much fun together while also bringing strong moments of heart when it counts. I love hanging out in these worlds, but the main trio is absolutely my favorite part of the show.

To wit, John Cho brings a delightful, irreverent cool to Spike, along with these hints of something deeper from his past. While the initial trailer on the whole looked fun to me, I was already on board with the series purely because I knew he was in it. Cho has this understated leading-man quality that’s just so endlessly watchable to me, and it’s wonderful to see him in a series where he gets to play humor, drama, and action in every episode. Mustafa Shakir is a lovably-gruff Jet, a practical man who’s forever exasperated with Spike and Faye but still considers them family. He’s a bit of a teddy-bear-with-teeth type, which I enjoy, and I like how he often plays the role of the annoyed father figure to the other two. (I do need to mention that Jet is an amputee who uses a prosthetic, and Shakir is not.) As Faye, Daniella Pineda is funny, mercurial, and loud, full of energy and violence but also capable of stunning moments of still clarity. I really like getting to watch her relationships with the other two gradually develop by fits and starts. The series also features nice performances from Tamara Tunie as a world-weary club owner and Mason Alexander Park as her unruffled emcee. I’m not super familiar with either of them, but IMDb tells me that Tunie has had a long run on SVU and Park is going to be playing Desire on the upcoming Netflix adaptation of The Sandman.

Warnings

Lots of violence (including domestic violence,) language, sexual content, drinking/smoking/drug references (albeit fictional space drugs,) strong thematic elements, and characters with disabilities played by ablebodied actors.