"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love
Showing posts with label Civil War. Show all posts
Showing posts with label Civil War. Show all posts

Wednesday, April 18, 2018

T’Challa Character Comparison: Civil War and Black Panther

I just rewatched Captain America:  Civil War for the first time since seeing Black Panther (several times.)  It was good to go back and revisit the introduction we had to T’Challa, along with the tiny hints we got of Wakanda.  I remember how much I flat-out adored T’Challa when I first saw Civil War, and how the film got me even more pumped for Black Panther than I already was.  But watching it again, I was really struck by how, while T’Challa is still pretty great in that movie, I love him so much more in Black Panther (some spoilers for both movies.)

We’ll start out with the fact that trying to kill Bucky in a misinformed attempt to avenge his father – while the ink on the signatures of the Accords is still drying, no less – isn’t particularly in character for the T’Challa we know in Black Panther.  There, the young king shows himself to be bold but also measured; he frequently takes time to ponder his next move, to worry over whether he’s doing the right thing, and even his mission style often takes a more covert approach.  I don’t really fault Civil War T’Challa for that, though.  After all, no one is exactly doing the reasonable thing throughout basically the whole of Civil War – it’d be hard to end up with the superhero-on-superhero battles if the characters weighed their decisions more.  So, it’s a product of the narrative, not to mention tying into the movie’s overall theme of the corrosive effect of vengeance, leading to the great scene of T’Challa’s literal mountaintop epiphany when he confronts Zemo.

However, I do have a couple complaints when it comes to T’Challa and Wakanda’s intros in Civil War, having now seen them as they ought to be in Black Panther.  First, on the matter of Wakanda itself, the pre-Black Panther hints we get of the kingdom are kind of all over the place.  It’s first brought up as an easter egg in Age of Ultron, where Bruce has seemingly never even heard of it and Tony and Cap know about it mainly through the connection of Cap’s Vibranium shield that was made by Tony’s dad.  Meanwhile, Civil War first shows us Wakandans on an outreach mission to Nigeria, and when some of their people are caught in the crossfire of an Avengers operation gone south, T’Challa’s father seems to emerge as one of the key voices behind the Accords.  At no point in that movie does anyone treat T’Challa like they think he’s from a third-world nation (not even unsympathetic characters like Thunderbolt Ross,) and no one questions Wakanda’s major role in pushing the Accords.

This doesn’t really gel with Black Panther, where Wakanda is known for being reclusive but incredibly “poor” (little does the rest of the world know.)  Where Everett Ross is polite-ish but fairly condescending to the Wakandans he meets, until he actually goes there and realizes the astounding advances they’ve been hiding.  I don’t think we can make an argument that Civil War didn’t have time to touch on this idea at all, since they took the time to make Wakanda a bigger player within the Accords than would make sense for the world’s perception of it at the time (given the recent incident in Nigeria, I could see T’Challa and T’Chaka being invited to the signing, but not T’Chaka giving a big speech and certainly not him talking about finally wanting to share Wakanda’s resources.)  I feel like this is the sort of oversight that comes from different perspectives – it’s far more likely that patronizing attitudes from unknowing Americans will occur to a Black director/screenwriter than a white production team.

Similarly, other than the Wakandan cryo-chamber in the credits scene, we don’t really get any sense of Wakanda’s technology (and even then, the same movie features a shot of Siberian cryo-chambers old enough to be in an abandoned, seemingly-forgotten facility.)  There’s T’Challa’s Vibranium suit, but as Shuri points out in Black Panther, this version is “functional,” without a fraction of the cool-ass technology she uses for his suped-up version in his own film.  It could be argued that Marvel was saving the awesome Wakandan technology for Black Panther, and that makes sense, because the technology in that movie is endlessly awesome.  Still, I would’ve liked to see at least a few veiled hints of it, or at least no scenes of T’Challa using low-tech western stuff.  Watching Civil War this time, I was really struck by the shot of T’Challa looking at a smartphone.  Given Wakanda’s stylish sand tables and holographic communicators powered by kimoyo beads, I have to think T’Challa’s thoughts about smartphones would be similar to Okoye’s about guns:  “so primitive.”

Finally, the Africanness of T’Challa (and Wakanda, obviously,) stand out so much more to me in Black Panther.  I love that Shuri’s lab is decorated with African designs, and I love the amazing costuming for everyone in the film.  Nothing about Wakanda or T’Challa apologize for their Africanness, and what’s more, they don’t have the barest sense of any reason that they should.  The confidence and self-assurance that comes from never having been colonized is palpable, and T’Challa’s well-tailored but very western clothes in Civil War don’t have nearly the same flair.  Again, this is maybe something that never occurred to the Russo brothers, or perhaps dressing T’Challa in suits was their way of showing that he’s sophisticated.  (Side note:  I also seemed to remember a scene where T’Challa dismisses Wakandan beliefs about the afterlife as something his father believed in, not him, but the scene is more ambiguous than I thought – it could be that T’Challa is only making the distinction in that his father thought the afterlife was peaceful, responding to Natasha’s remark on it.  Either way, the impression does distance T’Challa a little from Wakanda’s religion.)

But T’Challa – and Wakanda – has never needed western trappings to be sophisticated, to be “modern.”  That’s the whole point.  I love that T’Challa uses phrases like, “For Bast’s sake!”, and that Wakanda’s techonologically-advanced weapons are based on spears, not guns.  At the end of Black Panther, when T’Challa goes to the UN to open up Wakanda to the world, I love that the Dora Milaje who escort him still have neck rings to go with their inconspicuous dresses, and I love the glorious scarf T’Challa drapes over his chic black suit.  I don’t think that’s something that Civil War quite understands about T’Challa and Wakanda, and I’m not sure if it ever could have.  Now that T’Challa and Wakanda have made their proper debuts in the MCU, I hope Infinity War uses them (and the other Black Panther characters appearing in that movie) as they ought to be.

Wednesday, October 4, 2017

Best Moments: Captain America: Civil War



This is the largest MCU Best Moments post I’ve done so far (gearing up so I’ll be ready for Infinity War.)  I toyed with including Sharon as well, since she gets some good licks in as well, but ultimately, I used a “must have superhero name to be included” policy.  Also, this post includes a few moments that are less action-based and more about private/personal victories (spoilers, obviously.)


Bucky Barnes a.k.a. the Winter Soldier:  Stealing the Motorcycle

Oh my gosh, sooooooo cool!  Bucky sees the guy on the motorcycle coming toward him, grabs the handlebars while it’s still moving, uses the momentum to flip the bike around while simultaneously leaping on, and takes off without missing a step.  Definite proof that the Winter Soldier doesn’t need to be “evil” to have sick moves.


Capt. Steve Rogers a.k.a. Captain America:  Apartment Fight

Cap and Bucky are both awesome throughout this fight, which is coolly staged in an apartment stairwell (getting to be a bit of a theme for the MCU, eh, Daredevil?)  Steve in particular is juggling a lot, since he’s trying to get Bucky to come in with him, not let the police capture Bucky, not hurt the police in doing so, and keep both Bucky and the police from hurting one another.  And in the midst of all that, he still has time for cool stuff like putting two officers out of the running by strapping them together and then dangling one over the edge of the railing.


Clint Barton a.k.a. Hawkeye:  Breaking Wanda Out

Okay, so Clint isn’t the one who’s ultimately responsible for getting Wanda past Vision (more on that later,) but Clint still does nice work here, using suped-up arrows to temporarily incapacitate Vision and then taking on the sentient machine despite Vision’s obvious advantages.  Perhaps more importantly, he gives Wanda a little tough love on blaming herself for her mistakes vs. moving on and not making new ones.


Natasha Romanov a.k.a. Black Widow:  Taking out Rumlow’s Henchmen

Oh man, I love this one.  Nobody puts Black Widow in a corner!  …Or, uh, an armored car with some goons and a live explosive inside.  Natasha, as always kicks some serious butt and then busts her way out of there.  Bonus points for quick thinking under a live-explosive-based time crunch.


Col. James Rhodes a.k.a. War Machine:  Physical Therapy

Here’s one of those “personal victory” moments.  Rhodey takes a seriously-hard hit during this film, and here, at the end, he’s still fighting.  He’s not being unrealistically “gain back full mobility or bust!” but instead doing what he can, working hard as he takes the braces Tony made for him out for a test drive.  While he doesn’t mince words about how awful what’s happened is, he also doesn’t regret the choices he made that led him there.


Sam Wilson a.k.a. Falcon:  “…Five”

Early in the film, when the team encounters seven baddies, Sam quickly and, seemingly-effortlessly, dispatches with the first two.  I just love how skillfully he uses his wings, retracting them at a moment’s notice when need be, combining his flight with his acrobatic athleticism, and using the wings to block gunshots.


Scott Lang a.k.a. Ant-Man:  Giant Man

Hilarious but awesome.  Scott creates the perfect distraction for Team Iron Man, allowing Cap and Bucky to escape, by reversing his suit’s usual abilities and going all “Godzilla destroys Tokyo” on their asses.  He’s not actively hurting anyone but instead just causing mayhem that can’t be ignored.  Plus, it leads to Tony’s great line, “Anyone on our side hiding any shocking or fantastic abilities they’d like to disclose?”


Peter Parker a.k.a Spider-Man:  Fighting Bucky and Sam

Ditto – hilarious but awesome.  Spidey handily gets the job done here, webbing two guys with way more field experience than him, all the while geeking out overBucky’s metal arm and Sam’s flying abilities (much to Sam’s annoyance, naturally.)  For whatever reason, my favorite bit here is when he shouts, “You have the right to remain silent!” as Sam temporarily has the upper hand and he’s just along for the ride.


T’Challa a.k.a. Black Panther:  Confronting Zemo

T’Challa has all kinds of badass moments in this movie (so, so pumped for Black Panther, I can’t take it,) but I actually have to go with a less action-packed one for him:  confronting Zemo after realizing that his desire for vengeance nearly led him to kill the wrong man.  But rather than turn his vengeance on the “right” man, Zemo, T’Challa makes the stronger choice and decides he’s done letting it consume him.  Then, just as a bonus, he catches the bullet that Zemo tries to kill himself with (gotta love those vibranium suits,) telling him, “The living are not done with you yet.”  Bad.  Ass!


Tony Stark a.k.a. Iron Man:  Fighting Bucky

Tony’s used to fighting inside a suit, but this time around, he doesn’t have one.  When Bucky’s programming is activated, all Tony has is an Iron Man glove to try to fight, attempt to restrain, and keep Bucky from shooting him in the face – not too shabby, if I say so myself.


Vision:  Fighting Hawkeye

I root for Hawkeye in this fight – or rather, for the ultimate goal of Wanda leaving the compound – but there’s no denying that Vision is awesome here.  I especially love his use of his less-than-standard-issue matter phasing, effortlessly turning gaseous so Clint’s punches pass right through him but then going solid so Clint breaks his baton on Vision’s metal skull.


Wanda Maximoff a.k.a. the Scarlet Witch:  Getting Past Vision

I’ve mentioned all three players in this scene, but it’s Wanda who ultimately takes the prize here.  While the physical victory, using her powers to take Vision down (literally,) is impressive all by itself, it’s the personal one that makes this moment.  Wanda, deciding to stop letting others treat her as nothing but a dangerous weapons, declares, “I can’t control their fear.  Only my own.”  That’s my girl!

Saturday, May 7, 2016

Captain America: Civil War (2016, PG-13)

Fair warning – I just saw this movie a few hours ago and I’m still riding my nerd high.  The objectiveness of this review is up for debate, but its sincerity is unimpeachable (premise spoilers.)

Things have been building in the Marvelverse for a while, on both the macro-level – the public (and the UN) are calling for accountability over collateral damage on Avengers missions – and the micro – Steve and Tony’s ideological differences as to what the team is for and how it should be run are quickly approaching irreconcilable.  When the Sokovia Accords, an agreement for a UN taskforce to handle oversight of the Avengers, is presented, Tony leads the charge to fall in line, while Steve is wary about placing their kind of power in someone else’s hands (especially, presumably, after the events of The Winter Soldier.)  Then, Bucky suddenly becomes a lightning rod at the center of the tempest, and for Steve, the stakes are too high and personal not to dig in.

As (ridiculously) excited as I’ve been about this movie forever, I was wary about it feeling more like The Avengers 2.5 than Captain America, plus I know Age of Ultron struggled a little to balance its massive cast.  For me, though, both of these concerns were completely unfounded.  Even with all that’s going on, particularly the large shadow that Tony inevitably casts, it still feels like Cap’s story.  Steve is given definite central focus, and his relationships with Bucky, Tony, and other team members take pride of place.  And honestly, I’m shocked by how well everyone is incorporated (while maintaining the aforementioned Cap focus, no less!)  Maybe it actually helps that it is a Cap movie rather than a team movie.  It’s easy to feel like, say, Thor, is shortchanged in Age of Ultron, but when it’s Cap’s story and the other characters are woven into it, it’s more palatable to see someone like Hawkeye used sparingly but well.  People are brought in as the story needs them, integrated organically, and given logical/emotionally-consistent motivations, and when the focus needs to go down to just Steve and Bucky or Steve and Tony, that’s what the film gives us.

I like the central conflict, because the arguments on both sides make sense and feel true to the characters making them.  Neither side is fully right or wrong, and, rather than using the plot simply as an excuse for “OMG superheroes fighting!” moments, it’s clear throughout that these people don’t truly want to fight each other.  The crisis builds slowly, with numerous entreaties to make those on the other side see reason, and when it does come to blows, it feels earned.

It’s no secret that I love virtually everyone in the MCU, and I easily could rave about the whole cast, all of whom do bang-up jobs here.  For now, though, I’ll just single out the newcomers to the Marvel fold.  Chadwick Boseman is fantastic as T’Challa/Black Panther:  he feels every inch a king, and I’m currently in denial about having to wait another two years for his movie.  Tom Holland is so perfect as Spidey, super-fun and a total scene-stealer without being overused.  I’m still annoyed about Spider-Man:  Homecoming pushing Black Panther and Captain Marvel further down the schedule, but I can’t say I’m not psyched to see more of him in action.

Warnings

Comic book violence, language, and thematic elements.