*Episode premise spoilers*
The Street was an anthology series, with each episode telling the story of a different house on a particular street in Manchester. A quick peak at IMDb tells me that it’s featured actors ranging from Jim Broadbent to David Thewlis to Liam Cunningham, along with an assortment of actors from the U.K. Shameless. This is the first of two episodes with Matt Smith in it, and based on this one, I’m going to guess that each episode features a brief appearance of characters who are going to be important in the next episode, because his appearance here is almost conspicuous in its irrelevance to the story.
Charlie, a working-class family man, meets Tom while he’s away on a demolition job. Tom picks up a vibe and comes onto him—at first, Charlie vehemently denies that there’s anything between them, but as the job goes on, he’s less sure about that. Although he’s on the cusp of unlocking something important about himself, he’s terrified of how that will affect the life he already has.
The fear that pervades the whole story is palpable. When Tom first comes onto Charlie, there’s something frantic about his insistence, “You think you can see something in me, but you can’t. 100% normal, mate. 100% normal.” When his first experience at a gay bar goes horribly wrong and he gets mugged in the bathroom, he can’t tell his wife any single part of the truth. “I went to the casino,” he says, preferring her to think he’s gambled away his entire pay. And when he tries calling a support line, he scoffs at the suggestion that he could come out, protesting, “No one’s gay ‘round here.”
It's certainly a story that’s very much of its time, complete with homophobic insults (both from other characters and tangled up in Charlie’s own internalized homophobia.) But for what it is, I think it does do some interesting things in exploring the predicament of a working-class guy with a wife and two kids who’s realizing he might be bi. This whole thing is really thorny for Charlie, and he spends most of the episode either guarded, confused, or actively freaking out. Tom doesn’t offer nearly as much help in that department as he’d like.
All of the other actors do a nice job. We have Vincent Regan as Charlie, a conflicted man who’s perpetually on the ropes. And I wrote this review a while ago, so I didn’t recognize him back when I watched the episode, but Tom is played by Will Mellor, a.k.a. Ollie from White Van Man! Tom is much more secure in himself but isn’t all that concerned about the mental minefield he’s just pulled Charlie into. And then there’s Julia Ford as Roz, Charlie’s wife who’s quick to suspect that Charlie’s excuses don’t add up, even if she doesn’t understand what’s really going on.
Like I said, Smith barely pops up here. He plays Ian Hanley, one of Charlie’s neighbors. After Charlie is mugged, he borrows cab fare from Ian, and that’s about the extent of his contribution to the story. Ian pops up here and there in a few other scenes, like having a raucous night out in the background when Charlie goes to the pub, but he’s not really meaningful to the episode at all.
At the same time, though, he feels just a bit too prominent to be a one-off bit player, which is why I suspect that the protagonist of the following episode typically makes a quick appearance in the current one. Just enough to say, “Hey, here’s this guy! Remember that face, you’ll learn about his deal next week!”
First impressions, though there’s little to say at this point:
Accent Watch
Northern, which is fun. So many Smith characters are just varying degrees of posh, so it’s neat to hear a different accent from him.
Recommend?
In General – A soft maybe, while acknowledging that this episode handles its subject matter in a dated way. Looking at the cast list for the rest of the series has me mildly interested in it, but I’m not sure if it’d be enough to get me to watch the whole show. Then again, since it’s an anthology, I could watch just the episodes I want to.
Matt Smith – Too early to say. Ian is hardly a character at this point.
Warnings
Language (including homophobic insults,) sexual content, drinking, violence, and strong thematic elements.
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