Howard Stark
is a character who’s popped up in various places around the MCU, in franchises
from Iron Man to Ant-Man. If I were to give
him a specific “home base,” it’d probably be Agent Carter because a) he’s made the most appearances there and b)
Dominic Cooper’s Howard is my favorite Howard (no diss to John Slattery – I enjoy
the writing for Cooper’s more.) Still,
he’s in an interesting position, with his feet in a few different camps. I appreciate how his appearances have helped
flesh out the world of the MCU.
Howard’s
specter on the MCU is felt before he ever appears as a character. The mastermind behind Stark Industries,
Howard was the head of a technological dynasty, and Tony took up the mantle
after his death. The first Iron Man gives us a crash course in that
history before Slattery’s Howard makes his debut in Iron Man 2, speaking to Tony from beyond the grave in outtakes from
a promotional video he made decades earlier.
But more than the power, the money, the genius, more even than our
glimpses of the man himself, we get Tony’s memories of a dad who was
emotionally unavailable, constantly working, and withholding of approval. That jolt Tony gets at seeing Howard address
him onscreen, so many years after the fact, is palpable: “My greatest creation is you.”
But that’s
not something Tony ever got from Howard while he was alive. The assorted team-up movies show how Tony’s
present relationship with Cap is colored by Cap’s past relationship with
Howard, a pseudo-sibling rivalry inspired by a man who’s long dead. Tony grew up taking in his dad’s stories
about working with Captain America, hearing praise upon praised heap on the
star-spangled man with the plan and feeling unable to measure up. When Steve is found in the ice and thawed out
in the 21st century, Tony looks on him like a favored older brother
his dad was always comparing him to, and that baggage makes it difficult for
him to relate to Steve as a teammate.
Of
course, it’s only sibling rivalry from Tony’s perspective. Because in actuality, Howard and Steve were
contemporaries back in the 1940s, just like Steve is with Tony in the 2010s (in
fact, Steve is in some sense younger than Tony.) That’s where Cooper’s Howard comes in,
popping up in the first Captain America
movie as the genius inventor, philanderer, and tech wizard to superheroes. He’s super fun, what with his flying car
prototype and the fondue-related truths he explains to Steve. Though he only has a small role in the film,
it’s really entertaining, and it’s interesting to see Steve interact with him
(in many ways, a WWII-era version of Tony from the start of the franchise) and
think about how different Steve’s relationship with Tony is.
We see
Slattery’s Howard in a couple more MCU film flashbacks, establishing him as one
of the old guard when it comes to S.H.I.E.L.D. and superheroing. Nick Fury knew him (though we’ve never seen
scenes of them together,) and he and Peggy were on S.H.I.E.L.D.’s board of
directors(?) together back when Hank Pym was working as Ant-Man.
But
Cooper’s Howard is the one who gets more of a chance to come into his own. Through his recurring appearances on Agent Carter, he becomes more of a
character. There, when his “bad babies”
(i.e. inventions he’s deemed too dangerous for distribution) are stolen from
one of his facilities, he recruits Peggy to track them down for him and clear
his name of any wrongdoing. Howard only
crops up now and again, especially since he spends a good chunk of the first
season in hiding from those who think he sold the weapons to foreign
governments, but he’s the perfect occasional addition to the series. We get the extravagance, the knowhow, and the
insatiable flirting, of course, but we get more than that, too.
We see
his relationship with Peggy, first of all, which is terrific. I love it because, for the most part, he
really does relate to her as a friend and a colleague. The trouble he creates is a pain in her ass,
to be sure, and some of their interactions have an exasperated-sibling vibe, but
he respects what she can do and trusts her to deliver what he needs. Not that trust is perfect between them –
Howard can be a scoundrel and an opportunist, and he always has his hands in at
least a few fires that he shouldn’t.
Still, though, he believes in Peggy at a time when not many do, and
despite Howard’s usual tendency to hit on anyone in a skirt, he doesn’t demean
her. What’s more, the show offers
insight into Howard’s background and shows more of his reaction to what
happened to Steve at the end of Captain
America; there’s plenty to love about Agent
Carter, but watching Howard and Peggy relate to each other over their
shared loss is a genuine pleasure.
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