The Cook isn’t in The Best Arbuckle-Keaton Collection because, when that DVD came out
in 2001, the short was still believed to be lost. Fortunately, the majority of the film has
since been rediscovered and released on the DVD The Cook and Other Treasures (the missing final scene is described
in the intertitles.) This one is just so much fun.
Almost
entirely plotless. Fatty works as the
cook at the Bull Pup Café, where Buster is the waiter, Alice Lake is the
cashier, and Fatty’s dog Luke is the bouncer.
The assorted restaurant gags are broken up on occasion by Al St. John,
playing a literal tough customer who’s taken an unsavory shine to Alice.
I don’t
care that the storyline is basically “Storyline – what’s that?” This short is delightful, up to its ears in fabulous gags and fantastic comic
sequences. I love the juggling
sensibilities Fatty brings to cooking (flipping pancakes between two different
pans and off his shoe is especially fun,) as well as his fancy knifework. I love that he has one enormous vat from
which he gets everything from sliced ham to ice cream to coffee. I love absolutely everything about the
spaghetti scene, which is a comic master class in dreaming up numerous gags
from a single prop. Fatty wrapping
individual strands of spaghetti around his finger before eating them is fun, as
is the sight gag of him trying to knit his spaghetti.
Buster
is no slouch in that scene, either.
Completely flummoxed by his spaghetti, he variously uses a straight edge
razor, a teacup, and a pair of scissors to try to eat it. Really, Buster is great throughout the
short. The running gag of him catching
every dish Fatty tosses through the air to him – including, among other things,
a bowl of soup and a glass of milk – is terrific. He helps kick off this amazing dance sequence
that comes out of nowhere and has nothing to do with anything, but it’s just
wonderful. I don’t even know where some
of his dance moves come from; they do not
look like 1918, I know that much. The
man was a class unto himself.
He
feels really Busterish here, closer
to his persona in his own films.
Something about the combination between supremely athletic/suave and
hopeless clumsy. He has all sorts of
funny little bits of business, and he also takes his patented Buster Keaton
Soulful Eyes out for a test drive with Alice Lake and another woman in the
short.
The
stuff with Al St. John isn’t as good, except when he’s being chased by
Luke. Watching that dog climb ladders
never gets old for me, and I get a kick out the scene where Al is spinning
around in circles with Luke’s teeth clamped on the seat of his pants.
And in
the “there’s cartoon gags, and then there’s just crazy” category, we have Fatty
accidentally bringing a meat cleaver down
on Buster’s neck. Yes, there’s the
amusing bit afterwards in which he verifies that Buster’s head is still
attached, but that is absolutely ridiculous.
Warnings
Slapstick
violence, drinking, and an attempted abduction.
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