More
single-line pitches, for the classic shorts this time. I’ve already mentioned some of these
highlights in my rundowns of the shorts, and a few pop up in “A Letter to MGM,1928-1933,” but they’re definitely worth repeating.
One Week – in which Buster invents the mobile
home
Convict 13 – in which Buster wears a noose made
of bungee cord
The Scarecrow – in which Buster
fries eggs on a record player
Neighbors – in which Buster constitutes the top
of a human ladder
The Haunted House – in which Buster
tries to raise his hands in surrender while said hands are glued inside his
pockets
Hard Luck – in which Buster thinks he can walk
on water
The High Sign – in which Buster
gets lost in a newspaper
The Goat – in which Buster disguises a
photograph with a real mustache
The Play House – in which Buster
plays a fantastic monkey
The Boat – in which Buster nails his shoes to
the floor of a perpetually capsizing boat
The Paleface – in which Buster
tries to punch a butterfly
Cops – in which Buster turns a ladder into a
seesaw
My Wife’s Relations – in which Buster makes
beer foam into a valid hiding place
The Blacksmith – in which Buster
markets a saddle shock absorber
The Frozen North – in which Buster
goes ice fishing and catches a fisherman
The Electric House – in which Buster
invents the dishwasher
Daydreams – in which Buster nearly drowns in a
manhole
The Balloonatic – in which Buster plays
the ukulele in an air-born canoe
The Love Nest – in which Buster
catches a whale
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