This is
regarded as a middle-of-the-pack Buster Keaton film, and he has enough
magnificent offerings that this one is understandably middling, but I like it a
lot. From where I stand, you never go
wrong when Buster plays a sheltered dandy, and while the plot is a bit routine,
it’s fun and peppered with great gags.
As far
as Buster’s dandies go, Rollo from The
Navigator remains my favorite, but Alfred Butler is no slouch,
comedy-wise. This pampered rich boy’s
catchphrase is “Arrange it,” delivered lazily to his tireless valet (played
with spark by Snitz Edwards, who’s in several of Buster’s movies.) He’s never had to do anything for himself and
his parents, worried that he’ll grow up soft, send him on a hunting trip to
make a man out of him. Of course,
staying in a spacious tent with a bed, a dresser, and a valet to prepare your
bathwater isn’t exactly roughing it. (He
brings a top hat, on a hunting trip – I love it.)
Still,
a fire is lit under Alfred’s rear after all when he meets and falls for a
charming mountain girl. Unfortunately,
his valet’s efforts to sell her salt-of-the-earth family on the prospective
marriage don’t go as planned. Alfred is
dismissed as a wimp, and the valet, in a fit of desperation, rebuts that Alfred
is in fact Battling Butler, the up-and-coming boxer preparing to fight the
featherweight champ. This earns the
admiration of the girl and her family, but it puts Alfred in the precarious
position of keeping up the ruse.
Needless
to say, a series of misunderstandings and misadventures leads to Alfred having
to actually train as a boxer. Despite
his obvious ineptitude and powerful desire to avoid it like the plague (he
turns out to have a remarkable talent for shirking road work,) he’s dragged
into the ring – once he’s detangled from the ropes, that is. There’s one point where, having already been
caught up several times, he’s determined to leap the ropes this time, and the ensuing
momentum, combined with being inevitably snagged again, spins him around and
propels him out and under. It’s
fantastic, and I could watch it all day.
After
all of Alfred’s luxuriating, it’s great fun to see him forced to genuinely work
at something. Yes, he tries to get out
of it at every time (I would too, Alfred,) but in the end, he goes through all
the effort and pain and fear (and quasi-farcical interference-running, when his
new wife shows up at the training camp) because he loves his wife so much and
doesn’t want her to find out he lied.
Also,
the final shot is perfect. Buster has a real flair for closing scenes,
and while Our Hospitality is my gold
standard, this is up there as one of my favorites. I love that – so many comedies end on a contented
sigh, a gentle fade-out of resolution after the denouement, where we see that
the characters are going to be all right.
Buster gives us the resolution, but not the gentle fade-out. Most of his movies end with an exclamation
point, a last parting gag to ensure that you greet the “The End” with one more
peal of laughter.
Warnings
The
usual slapstick violence, plus lots of boxing violence, of course.
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