Ready
for more Hamilton? (In case you’re wondering, the answer is, “Oh
my, yes.”) Let’s keep working our way
through Act I.
“Farmer Refuted” – Probably the
furthest-outlying song in the score, and with good reason. This dainty, harpsichordy tune is sung by
Samuel Seabury, a big-time Loyalist trying to calm the rebellious
colonists. I love it when Hamilton jumps
in with his rapped rebuttal – the layered genres clash in such an interesting
way.
Best
line: “Don’t modulate the key then not
debate with me!”
“You’ll Be Back” – Oh, goodness
gracious, this song is catchy. And
darkly hilarious. And awesome. So, King George III essentially plays the
part of the huffy ex-boyfriend in this post-breakup song sung to the American
colonies. The lyrics are demented, and
the melody makes me feel like I should be jauntily crossing Abbey Road.
Best
line: “Oceans rise, / Empires fall, / We
have seen each other through it all, / And when push / Comes to shove, / I will
send a fully armed battalion / To remind you of my love!”
“Right Hand Man” – One of the first
songs in the show to really dramatize the events of the war, presenting history
melodically and with an amazing beat. It’s
also a terrific introduction to Washington.
I like how, while so many of the characters make frequent use of hip hop
lingo, Washington’s language tends to be more elevated, with a real ring of
history behind it (I think he uses actual quotes more than any other character.) The quasi-father-son relationship he develops
with Hamilton is immediately evident and resonates strongly.
Best
line: “Dying is easy, young man. Living is harder.”
“A Winter’s Ball” – Really just a
lead-in to the next number, but it’s still fun.
Burr going on about luscious 18th-century ladies is a good
reminder that, while language and socially-accepted behaviors have changed,
people’s basic wiring hasn’t.
Best
line: “Ladies! / They delighted and
distracted him. / Martha Washington named her feral tomcat after him.”
“Helpless” – Eliza’s first meeting with
Hamilton. It’s a fun, poppy love song,
showing how schoolgirl head-over-heels this Schuyler sister is for the
brilliant but penniless immigrant. It’s
completely gushy, but somehow, despite the fact that it’s literally called “Helpless,”
it still feels a bit empowering for Eliza.
Maybe it’s because she goes after the man she wants, or maybe just
because it’s about her feelings
rather than treating her as a beautiful object for Hamilton to fall in love
with. I like Angelica’s “Satisfied”
better, but this song gives it a strong lead-in.
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