Still
not sure overall. I like “The Zygon
Inversion” – definitely more than last week’s episode – but I’m shaky on the
story as a whole. My chief complaint
from part one wasn’t really addressed in a satisfying way here, and there’s
some pretty inattentive plotting going on.
That said, there’s still good stuff to be had, in some cases incredibly
good stuff. I think this is a story
where the whole is actually less than the sum of its parts. (A few unavoidable spoilers.)
Not
much I can say about the plot. The rebel
Zygon leader is hell-bent on obtaining the “Osgood box,” which purportedly has
the ability to end the human-Zygon ceasefire and start an open war between the
two species. The Doctor, meanwhile, is
determined to prevent that war at all costs.
I’ll
start with the gripes, because I want to end on a high note. First, I mentioned last week that it’s problematic
to portray Earth’s 20 million Zygon refugees as mostly peaceful while only showing the small splinter group of
terrorists (actions speak louder than words and all.) Well, here we get one peaceful Zygon, an
innocent caught in the crossfire of the rebel agenda, but even that one is
shown to have killed humans in self-defense – in extreme circumstances, to be
fair, but still. It’s hard for your refugee-sympathetic
message to land when your mouthpiece for it is literally shooting sparks at the
Doctor while he says it.
Other
than that, there are some wildly illogical plot developments and a little too
much of a penchant for Twists! or Cool Hooks! instead well-thought-out
storytelling. The resolution is altogether
too pat without much thought for any consequences of what happens. That does the story a disservice, especially
considering the real-world issues it’s exploring. There’s a character-in-a-creepy-situation
scenario that, while creepy, is a little too textbook-Moffat character-in-a-creepy-situation
to be really effective, and one of the twists near the end isn’t worth the
implications of what it means in context.
But
this episode is uneven, not bad, and it earns its good will in spades. Its chief merit is that it offers the main
cast tremendous material to work with.
Jenna Coleman is allowed to showcase a much larger-than-usual slice of
her acting range, and she doesn’t waste the opportunity. Plus, Clara again displays her knack for
remaining cool under pressure when she goes toe-to-toe with the Big Bad. For this version of her, that’s probably my
favorite quality of hers, and I always enjoy seeing it in action.
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