This
is an unusual episode in that Elizabeth takes a little more of a back seat to
other political goings-on, although, in context, I understand the storytelling
reasons for doing so. Still, while the story that’s shared here is definitely
interesting, I do miss having more focus on Elizabeth’s story.
As
Churchill’s 80th birthday nears, Parliament commissions a portrait
as a gift for him, and the prime minister, an amateur painter himself, attempts
to dictate the image being painted of him. Along the way, he’s forced to reckon
with his place in the world as he grows older. Meanwhile, Phillip is jealous of
Elizabeth’s relationship with an old family friend, who once hoped to marry
Elizabeth himself.
There’s
plenty of interesting stuff in the Churchill storyline. I like the exploration
of the indignities of aging and seeing Churchill, who’s all about both
projecting and exerting control, being unable to change that. The painter is
played by Stephen Dillane, a.k.a. Stannis from Game of Thrones, and he brings a nice presence to the episode as an
artist who’s trying to uncover the prime minister through this portrait, as
well as through examining Churchill’s own paintings.
That
said, despite being interesting, I’m not super-invested in this story. Given
how Churchill has been positioned throughout this series – his treatment of
Elizabeth, his abdication of responsibility to the people at an
absolutely-crucial moment, and his focus on preserving his own power above all
else – I’m not particularly rooting for him as a character, and so I don’t
really feel for him as much in his struggles. And as I’ve said before with
Phillip, Churchill’s negative qualities also aren’t compelling enough to draw me in in a love-to-hate kind of way (like
with David – what a splendid bastard he is.) As such, while I get what the
story is going for, it doesn’t entirely land with me.
Elizabeth’s
plot doesn’t, either. In addition to revolving around spousal jealousy about a
male-female friendship, which is a serious annoyance of mine anyway, it also relies
on the irritating device of spending lots of time on this intimate, long-standing
friendship that we’ve not heard about before today. Now, maybe greater
knowledge about the British royals would have primed me on who this guy, known
as Porchey, is, but since he’s not in The
King’s Speech or The Queen, this
is the first I’d heard of a guy that Elizabeth will call late at night to
discuss horses (Porchey races and breeds them,) a guy who’s given a direct line
to the crown because “he’s family.” If we’re going to pin so much narrative
importance on this guy and Phillip getting all snippy because he thinks Elizabeth
is too close to him, it would’ve been nice to see some groundwork laid for it
in earlier episodes.
And
just generally, I don’t like storylines about people getting insecure over
their spouse’s friendship with a member of the opposite sex. I’ll admit that
the time period makes Phillip’s issues more understandable from a
social-convention perspective, but that doesn’t make it any more enjoyable for
me to watch. The good note here is that it seems to bring Elizabeth and Phillip
to a bit of a reckoning. However, I’ve thought that before and we keep ending
up in the same old places, so I’m not prepared to put too much stock in it yet.
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