A really
strong episode. Several engaging plots,
great guest stars, and a particularly-good showcase scene for Andrew
Rannells. Really, that’s just about
everything I could want in an episode of Girls. A couple more relationship spoilers.
Hannah is
at a moment of transition; she broke up with Fran in the last episode, and
she’s also decided to quit her job at the school. This is the state of mind she’s in when she
runs into Tally, an old classmate from college who’s gained all kinds of
success as a writer. Shoshanna recruits
herself to help Ray deal with his feud with the hipster coffee shop across the
street. Elijah makes a move to convince
Dill that their relationship should be something more. And Marnie, who’s been dealing with a divorce
from Desi while still collaborating with him as a music partner, finds her
feelings for Ray resurfacing.
I pretty
much like all the Hannah stuff. In
episode 8, which I didn’t review, she’s colossally immature about breaking up
with Fran, but she handles their parting at the top of this episode much more
rationally, and she has the decency to quit her job during the summer so the
school won’t be scrambling for a replacement.
And once she runs into Tally, everything gets pretty great. Tally, who’s played by Jenny Slate, has
appeared on the show once before, and whereas there, it was all about Hannah’s
jealousy, the two make a great connection in this episode. They’re a lot of fun together, they get real
with one another (I love it when Hannah discloses something painful she’s going
through and Tally just hugs her, saying, “It hurt me to hear that,”) and learning
more about Tally’s life gives Hannah perspective on her own. Basically, this is just the episode Hannah
needed.
I love
everything about Shoshanna teaming up to help Ray. They’re always a fun duo anyway, and the
scene of her “infiltrating” the hipster place to gain intel on the enemy is a
blast. Plus, her idea to save Ray’s
coffee shop is pretty sharp – it’s neat to see Shoshanna put her marketing
skills to good use.
Lots of
Elijah goodness here. After being
varying levels of horrified and unhelpful as Marnie tells him about a dream she
had about Ray (very funny,) it’s back to his plot with Dill. It features a really fun scene of him making
preparations, i.e. searching for the outfit that says what he wants it to. Along the way, he has great interactions with
the salesperson helping him out, and it ends on the fabulous line, “Let’s Pretty Woman this shit, D’Emilia!” Also, I love how gladly Elijah tells anyone
and everyone that he’s dating “a well-known TV personality.”
As for
the big scene with Dill, all of it is really well done. I’m reminded of his attempted confrontation
with Pal in season 3, in that Elijah’s insecurity and nerves are all over the
scene, although he holds his ground better here. It’s still a bit “Elijah will be Elijah”
(really, Elijah? You’re “the only
person” who would be completely honest with Dill and love him solely for him?),
but overall, it shows an unexpected amount of maturity from him. He’s open about his own feelings before trying
to show why he thinks a more committed relationship between them would be to
Dill’s benefit as well. Just fantastic
acting from Rannells, who knocks it out of the park here.
Something
that I find interesting about this arc is how self-contained it is. Other than a pre-date conversation with Ray
back in episode 4, we haven’t seen Elijah say one word about Dill to any other
regular on the show, and in fact, until his walk-and-talk with Marnie today,
that Ray scene was the last time we even saw
him with another main character. Every
other scene he’s had has been with Dill and/or one-off characters exclusive to
that plot. On the one hand, it
demonstrates a faith in Rannells that Elijah can anchor his own plot without
any other main cast members in it (Rannells has said in interviews that he
specifically requested the chance to have a romantic subplot, and he’s also
revealed that he, as “the only gay” on set that day, laid out the blocking for
Elijah and Dill’s sex scene.) On the other
hand, though, it makes it feel like the show only knows how to make a storyline
about Elijah if none of the other characters are around, like you couldn’t put Hannah or Marnie into a
scene with him and have them be his
supporting characters for a scene or two.
I still haven’t entirely decided what I think about this.
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