A
favorite hero/punching bag for sci-fi/horror/action directors between the
1970s, ‘80s, and ‘90s, Ellen Ripley is a stone.
Cold. BAMF. She’s thrown into several serious crucibles
over the course of the tetrad, and though she can never be fully said to come out
on top, she always comes out fighting (premise spoilers for the Alien franchise.)
We meet
Ripley at the fairly unremarkable start of the day that will irreparably change
and consume the rest of her life. She’s
one of the upper-ranking crew members on a deep-space freighter, and she and
her shipmates are woken from their cryosleep early when the ship detects a distress
call on a nearly planetoid. Like the
rest of the crew, she feels no reluctance about a small team going down to
investigate. A little out of the way,
but nothing they can’t handle…
But
that’s when everything punches sideways and the world slips off its axis. One of her shipmates is attacked by a
hatchling from an extraterrestrial egg, and despite her hardline against
allowing a possible contagion/foreign body back onto the ship, she’s
overridden, and what follows is a neverending stream of bewilderment, terror,
grotesque violence, grief, and sick manipulation. The alien proves formidable and
nigh-unstoppable, and one by one, her shipmates are claimed by the
monster. But that’s only the
beginning. No matter how much time
passes or how far Ripley goes, the aliens find their way back into her life, no
one ever heeds her warnings until it’s too late, and the cost is always
devastatingly high.
It’s even
more horrible when you think about the implications of the cryosleep that
bridges the gap between each film. Even
though the story spans decades and planets, Ripley is always on ice between
installments. That means, after her
initial encounter with the alien, her life is quite literally a constant series of one alien encounter
after another. After all that intense
danger and pressure, it’s a wonder she’s able to walk upright and form complete
sentences, let alone kick ass and take names.
But
Ripley just won’t go down. No matter how
battered, how beaten, no matter how much is taken from her, she keeps on
going. Death after death, peril after
peril, through abject horror and the loss of pretty much everyone she’s ever
cared about, Ripley continues to put one determined foot in front of the
other. And the thing is, yeah, she’s a
licensed badass, but she’s not a straight-up action heroine, not exactly. This isn’t a Black Widow situation. While Ripley is highly-competent at her work,
quick to consider the possible ramifications of any threat, and able to press
on despite paralyzing fear, she’s not a natural guns-blazing type. She escapes the first alien by the skin of
her teeth through sheer ingenuity, and with every subsequent encounter, she
hits the ground running, picking up the skills she needs to survive during the
(insanely) brief reprieves between attacks.
Her best quality isn’t her marksmanship.
It’s not her resourcefulness, her bravery, or even her
intelligence. All those things are
impressive, and they all work in conjunction to keep her alive, but when it
really comes down to it, what I admire most about her is simply this: Ripley just
won’t quit.
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