One of
the (very) many splendid things about the three seasons of melancholy
awesomeness known as A Series of Unfortunate Events is its casting.
The main cast is all excellent – Count Olaf is such a tricky needle to
thread, Patrick Warburton is so great as Lemony Snicket, and I adore all three
of those kids. But the casting is
terrific all the way down the line.
Today, I want to celebrate my favorite performances among the guest
stars, the characters who don’t appear in every “book” but who are no less
vibrantly-painted for it (a few spoilers.)
Aasif Mandvi as Dr. Montgomery Montgomery
Man,
Aasif Mandvi is so great as Uncle Monty.
As a guardian for the Baudelaires, he brings just the right balance of
kooky and caring, while also demonstrating the flaws that will be his
undoing. He has limited screentime but
makes a big impact; his little speech in “The Reptile Room” about not fearing
every reptile (i.e. guardian) after one terrible experience (i.e. Count Olaf)
is lovely.
Will Arnet & Cobie Smulders as Father &
Mother
Okay,
yes, this is a two-fer, and they also appear in the whole first season, making
them feel like a bit more than guest stars, but a) this pair is most certainly
a matched set and b) while they appear in a larger number of episodes, their
role in each is very brief. Watching
season 1, I was uncertain where the show was going with these scenes of Mother
and Father, but the more I see of them, the more awesome they get. VFD members at their best, terrifically
daring and full of esoteric references – although we never actually see these
characters in action in the books, Will Arnett and Cobie Smulders are just
everything they should be. And that
final reveal with them is just a gut punch.
Wow…
Max Greenfield as the Denouement Triplets
Even
though I got it into my head years ago that Lee Pace would be perfect as the
Denouements and so was bound to be a little disappointed at anyone else playing
them, I can’t deny that Greenfield is pretty great. He nails that ambiguity over which brother is
which, appearing completely neutral even though we know that Frank is noble
(along with the secret Dewey) and Ernest is wicked.
Tony Hale as Jerome Squalor
I never
would have thought of Hale for Jerome, and in truth, he isn’t quite what I
imagine for the character – you don’t see his conflict-avoidance featured so
prominently. However, Hale definitely
captures the quality that most Baudelaire guardians share, which is probably
the most evident with him: he’s a
decent, well-meaning person, but ultimately useless. Throughout “The Ersatz Elevator,” it’s clear
that he really cares about the children and wants to do right by them, but he
consistently lets them down when they need him most. More than any other, Jerome as a guardian can
be summed up by these lines from Into the
Woods: “You’re so nice. / You’re not
good, you’re not bad – / You’re just nice.”
That’s what Hale brings out.
Roger Bart as Vice Principal Nero – Bart is excellent in
this role precisely because he’s so
terrible: dumb, vain, and above all,
petty. His habit of repeating people’s
words in a high mocking voice always felt forced to me in the book, but Bart
pulls it off. His Nero is so base and
punchable, and that’s exactly what the character ought to be.
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