"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love

Thursday, July 24, 2025

Y tu Luna también: 3Below: Season 1, Episode 7 – “Flying the Coop” (2018)

Good episode, nice mix of humor, action, and drama. It’s been too long since I watched Trollhunters from start to finish, so I can’t remember exactly how I felt about its first batch of episodes, but I’m again impressed with how strong and confident 3Below has been from the beginning.

As if the looming threat of bounty hunters doesn’t give the Akiridions enough to worry about, a woman from the school board has shown up asking questions Aja and Krel can’t answer. Birdie wants their papers, and she wants them in the most xenophobic way possible. Aja is freaked by the thought that their lives at Arcadia Oaks High, “the closest thing [they] have to a home” on Earth, could be in jeopardy.

First things first: I didn’t realize it until I looked it up on IMDb just now, but Birdie is voiced by Fiona Shaw! Shaw is a splendid actress anyway, from the Amanda Root/Ciarán Hinds Persuasion to Killing Eve, but of course, thanks to Andor, this episode is also a retroactive reunion for her and Diego Luna. She killed it as Maarva, and here, she’s repellently effective as the quietly menacing, insinuating Birdie.

This isn’t the first time the show has addressed the Akiridions’ immigrant experience—for instance, during an unfriendly encounter between Krel and Steve in an earlier episode, someone calls for Steve to “knock [Krel] back where he came from”—but it’s certainly the most pointed example so far, with a story revolving around how Aja and Krel’s status is perceived by bigoted adults. It’s an ugly thing for them to deal with, although it’s another chance for Señor Uhl to show his character. By his understanding, Aja and Krel are undocumented refugees from a small country that experienced a coup, and he made it clear earlier in the season that he is looking out for them. Here, he says to Birdie, “‘Illegal?’ Such language is not permitted inside my school.”

Given the heavier subject matter, the episode needed some levity, and that comes chiefly from two places. First, Varvatos has been playing chess with some older guys at the park in his human “geezer” form, and he has an entertaining “love at first sight” moment with the nana of one of the Trollhunters characters. When his chess buddies tease him about it, he exclaims, “Of course Varvatos Vex has a crush! Do not doubt Vex’s crushing power!” And naturally, his idea of dealing with Birdie involves forging fewer documents and more “dismembering” and “bludgeoning.”

The other main source of humor comes from our character of the week. Tom Kenny voices Ricky, one of the “Blank” robots Krel programmed near the start of the season to pose as their parents whenever necessary. Because the Blanks’ Earth-specific knowledge all comes from outdated radio transmissions that made it into space, Ricky and the other Blank, Lucy (yes, the names are intentional,) give off mid-century sitcom suburbanite vibes, complete with mid-dialogue advertisements and hokey old-timey slang. The Blanks are amusing anyway, but in this episode, Ricky takes a hit from a bounty hunter that scrambles his circuits, which causes him to veer wildly from his usual peppy aphorisms into monologues of existential crisis.

Once again, Aja gets more heavy lifting in the episode than Krel, even though some major stuff goes down for him here. The bounty hunter who hits Ricky was targeting him, but while that shakes him up, he quickly goes into STEM mode, working on trying to repair Ricky. When Aja asks how he’s doing after the attack, he simply says, “I’m fine, I guess.”

And in talking about incidents of xenophobia on the show, it’s no accident that the example I picked from an earlier episode specifically involved Krel rather than Aja. While Aja’s human form looks like a white girl, Krel’s looks like a brown Latino boy, and in the different ways they’re treated on the show, we see examples of how immigrants are treated differently depending on how they’re racialized. When Birdie comes sniffing around, she sneers, “Mr. Tarron has scored 100% on every single math test, highly unusual for his kind.” To the other kids, Krel’s literally out-of-this-world math and science knowledge makes him weird and geeky, but to racist adults, it's suspicious. This exchange is very gross, even if Señor Uhl immediately steps in to defend Krel.

However, we don’t see much of Krel’s reaction to any of this. Luna doesn’t get as many standout scenes or terrific lines here as he’s had in some episodes. He still does well with his material—Krel always feels so firmly in-character to me—but I’m greedy, so I naturally want more.

Tuesday, July 22, 2025

Other Doctor Lives: Broadchurch: Series 2, Episode 7 (2015)


*Written in 2018*

Another season, another penultimate episode. That brings with it the requisite suspense and revelations, although, by and large, I’d say series 1 does it better. What I will say in the episode’s decided favor is that I’m not sure which way the finale is going to go, both with the trial and with the Sandbrook case.

The trial wraps up with closing arguments, and the jury deliberates, naturally holding back any decision for the next episode and keeping the Latimers on grieving pins and needles. As Hardy and Ellie keep putting the pieces together on Sandbrook, Hardy thinks he’s found the thread that will lead him to the proof he needs.

Watching the last scenes of the trial makes me realize that I think Jocelyn is a pretty lousy lawyer. It was harder to spot early on because Sharon is so over-the-top ridiculous as an attorney, so she draws a lot of the focus, but for the talk about how awesome Jocelyn is, I’m not all that impressed with her. She does mainly fine when she’s making arguments and questioning her own witnesses, but she’s continually, utterly blindsided by all the crazy stuff that Sharon pulls, which leaves her witnesses floundering when Sharon makes her outlandish accusations. You’d think that, after the first few times at least, that she’d get something of a feel for the game Sharon is playing and prep her witnesses to be ready for it, but she’s just as flummoxed as everyone else—boo. On a positive note, I turned out to be fairly on the money with some speculation I’d been making about Jocelyn and another character, so I feel vindicated there.

I’m not quite sure where we’re going with Sandbrook. There are a lot of clues Ellie and Hardy are sifting through, and they have yet to coalesce into much solid sense for me, though I can tell Hardy sees something in them. I still see several plausible suspects in the case—hopefully it’s one of them. Also, I haven’t taken the time to say it before, but I really like James D’Arcy’s work here. He’s an actor I’ve seen in a handful of things, but I of course know him best as the terrific Jarvis on Agent Carter. It’s to his credit that, when I’m watching him in this role, I’m really not thinking of Jarvis at all, and that can be tough to achieve when actors make such a big impression as a particular character.

Not a whole lot of Beth, but Jodie Whittaker does get two pretty good scenes. I especially like the first, in which she and Mark discuss the future of their family and what they can do about it. It’s maybe something of a reversal from where they both are at the end of the previous episode, but in a way that’s believable for me.

*Written in 2025*

After his health issues in the previous episode, Hardy comes at the case with renewed vigor here—though I have to say, he’s probably up and about too much considering said health issues. A key piece of evidence has been given a radical new context, and he’s champing at the bit to see the case through to the end. Upon hearing that one suspect made a rash move, he crows, “Then [they’re] panicking. That’s good, eh? I like it when they panic,” and he’s practically strutting when he goes to confront another.

David Tennant plays this well. You can tell that Hardy feels like he has a new lease on life, not just with his health, but with the case itself. It’s been grinding him down for so long, and although he’s continued to investigate because he can’t let it go, it’s been with waning hope. Now, though, he feels a new wind beneath his sails and thinks he really can solve it as last. It changes his whole demeanor.

This episode highlights another aspect of Hardy, one that can be troubling: even when he’s working unofficially, he has a lot of power and that can affect other people’s lives. He’s been increasingly frustrated with Claire all season, and I definitely understand why, but that becomes an issue when he plays fast and loose with her safety, seemingly to punish her for being uncooperative. We’ve seen Hardy blow up something in a suspect’s life before, generally in service of the “greater good” of the investigation, and it often feels like it could’ve been avoided. In this episode, it feels especially personal, and his choices pose an actual threat to Claire. Yep, further reinforcement that TV cops are bastards too.

Saturday, July 19, 2025

Superman (2025, PG-13)

Here we are, at the first theatrical release of the new James Gunn-led DC Universe. While it’s not a perfect movie, it really delivers on the things that matter. Namely, this is a film that just gets Superman, at his core, and that’s simply beautiful to watch. I’m all about that!

Amid controversy over Superman halting an armed invasion overseas, Lex Luthor sees a prime opportunity to turn the public—and the U.S. government—against him. Superman only ever wants to do good, which can feel suspect in a world where people are used to everyone having an agenda. When Lex hits at him in deeply personal ways, Superman fights to uphold what he stands for, inspiring friends and allies to help him.

When you get into the nuts and bolts of the story, the plot is a little messy and overstuffed at times. It has a lot of moving parts, and I’m not sure all of them fit together. But where it fumbles a bit on the mechanics, it always succeeds where its heart and themes are concerned. The film is inherently political, given Superman’s position as an undocumented alien refugee, the powerful billionaire as the main villain, and a major plot point about a dictator with genocidal intent. These themes are afforded weight without feeling heavy-handed, and threaded through them are Superman’s more overarching themes about hope, kindness, and compassion.

Okay, let’s talk about Superman himself. The main thing I’d previously seen David Corenswet in was the Ryan Murphy miniseries Hollywood, where he didn’t make a huge impression on me, but it’s clear that he was practically grown in a lab to play Clark Kent. The line between his Superman and his Clark is very thin. Whether he’s wearing the glasses or the cape, he’s wholesome—he honest-to-god says, “Golly!” in the first five minutes of the movie. He’s adorkable. He’s earnest—I love absolutely everything about him telling Lois that he’s punk rock. He’s sensitive. He makes mistakes and gets overwhelmed. He wrestles with his choices. His first concern is always to protect the innocent—while the metahuman heroes in the Justice Gang prioritize beating the bad guys, Superman is the one racing around to rescue the bystanders (including the dogs and squirrels) getting caught in the crossfire. As Clark, he clumsily navigates the crowded city streets with delicacy, anxious not to jostle anyone with his large, superpowered frame. As Superman, he tries to jump back into a fight while he’s still injured, and he drinks cocoa when he’s upset. I love him so much!

Corenswet does an excellent job anchoring the ship, but he’s one of many strong cast members playing excellent characters. I haven’t seen The Marvelous Mrs. Maisel, so I’m not super familiar with Rachel Brosnahan, but she’s a fantastic Lois. She’s tough, sharp, and supremely capable, she’s not the best at dealing with her emotions, and she’s 100% willing to throw down for journalism and/or Clark. Brosnahan and Corenswet’s chemistry is great together, and I love watching them go toe-to-toe. I always enjoy Nicholas Hoult, although going into the film, I couldn’t quite picture him as Lex. But he totally nails the xenophobic genius billionaire with an all-consuming obsession to take down Superman. I also really enjoy Anthony Carrigan (NoHo Hank!) as Metamorpho and Wendell Pierce (who I remember best from The Wire) as an effective Perry White. And while the Justice Gang is one of the weaker points of the film for me overall, I adore Edi Gathegi as Mr. Terrific. I’ve seen Gathegi in a number of things over the years—I first saw him on House, and he had a previous (regrettably short-lived) role as a superhero in X-Men: First Class—but he’s just stellar here, smart and badass and witheringly hilarious. The film also features Nathan Fillion as Green Lantern Guy Gardner, Isabela Merced as Hawkgirl, Alan Tudyk as one of the robots in the Fortress of Solitude, and a handful of cameos (in terms of both actors James Gunn likes and characters from the larger DCU.)

I can’t end this review without mentioning Krypto. I’m already on the record as loving DC League of Super-Pets, so I was primed to like Krypto anyway, but I really love how the film depicts him. Yes, he’s adorable and saves the day on more than one occasion, but he’s also a flying menace! Krypto is a rambunctious pup whose idea of play includes leaping on an injured Superman after a fight and nipping at his heels, and it’s awesome!

Warnings

Violence, thematic elements, language, drinking, light sexual references, and scary moments for kids.