"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love
Showing posts with label Harry Potter and the Deathly Hallows - Part 2. Show all posts
Showing posts with label Harry Potter and the Deathly Hallows - Part 2. Show all posts

Tuesday, September 24, 2019

Book-Movie(s) Comparison: Harry Potter and the Deathly Hallows


I really enjoy both parts of The Deathly Hallows. Despite splitting the last book into two movies, there’s a ton of stuff left out, but the films still convey the overall story well and manage to be a fine pair of movies to boot (spoilers.)

First off, props to these movies for handling the mess The Half-Blood Prince left them to deal with. The previous movie gave the two Deathly Hallows films basically nothing to work with in terms of the trio hunting Horcruxes, but damn if the films don’t do the work to make it all hold together. Not to mention, Part 2 does a good job really making me feel for the deaths of Tonks and Lupin – since neither of them have anything worthwhile to do after their introductory films and Tonks barely gets a chance to be a character at all, injecting their deaths with so much earnest pathos that doesn’t just coast on the good will of their book characters is no small feat.

For me, tying up those loose ends that got dropped in earlier movies makes up for some of the plot threads that don’t get included here, like most of the stuff about Dumbledore’s past. There’s plenty of smaller details, world-building stuff, and character moments that don’t make the cut (personally, I wish we could’ve got a bit of the secret radio station, and I’d have liked more about Harry’s growing obsession with the Hallows,) but the films don’t feel all that cut up as you’re watching them. It mostly hangs together quite well.

One thing I will point out, though, is that I wish they’d kept the explanation of how the Death Eaters can detect/locate anyone using Voldemort’s name. It’s pretty obvious that such a scene was originally in one of the films, since 1) the trio is initially perplexed at how the Death Eaters find them in the cafĂ©, 2) they eventually switch to calling Voldemort “You-Know-Who,” and 3) there’s the big dramatic moment where Xenophilius Lovegood calls the Death Eaters by saying, “Voldemort.” But without the actual explanation of the spell, you need book knowledge to put those things together.

Part 1 does an especially nice job keeping the plot moving. What felt like endless chapters of the trio camping and bickering in the book is accomplished in a few montages and a handful of well-chosen scenes. (Montages that feel appropriately cinematic, I should point out – not like The Order of the Phoenix, where some of the montages blatantly feel like transparent attempts to cram 7-8 chapters into 20 seconds.) The emotional throughlines of the main characters carry us along, and the significant scenes/set pieces crop up just often enough to keep things from ever feeling too slow.

Most of the big moments from the book are given their due in the films. Particular standouts are the trio sneaking into the Ministry of Magic, “The Tale of the Three Brothers,” the Prince’s tale, and the Resurrection Stone scene. Re: the last two, both of those scenes in Part 2 really hit me in ways they don’t in the book. When I’m watching Part 2, I almost inevitably cry when either of those scenes come on.

I also think both films are a little like The Prisoner of Azkaban in that they include some great scenes that deviate from the book. It’s a small moment, but I really love Harry dancing with Hermione to cheer her up after Ron leaves in Part 1 – a fabulous, sweet display of their friendship. And man, does Neville get to come through towards the end of Part 2! I know the same basics happen in both the book and the movie, but I just adore the scene of him standing up to Voldemort and vowing to keep fighting, even though everyone thinks Harry has been killed.

Finally, we’ve gotta talk casting. Rhys Ifans is excellent as Xenophilius Lovegood, just knocking it out of the park in his scenes. Bill Nighy only makes a brief appearance as Rufus Scrimgeour, but he conveys the feel of the character with limited screentime. And even though Part 2 plays the scene between Harry and the Grey Lady very differently than the book does, I really like Kelly Macdonald’s performance as the film’s version of the character.

Wednesday, July 29, 2015

Harry Potter and the Deathly Hallows: Part 2 (2011, PG-13)

If there were ever a pair of films made to advocate splitting adaptations of a book in half, it’s probably The Deathly Hallows.  I’ve already sung the praises of part 1, and part 2 is every bit as excellent.  Exciting, emotional, engrossing, and invigorating, this movie brings the franchise to a fitting close (and, for me, it does so even better than the book.)

Considering how little major plot remains, the film fills out surprisingly well.  Harry, Ron, and Hermione’s quest to find and destroy Voldemort’s Horcruxes takes them back to Hogwarts.  As they race to complete their mission, the school becomes the backdrop for the final stand against Voldemort and his followers.  Harry is horrified to see friends fighting and dying for what he feels is his battle, and in the end, it of course comes down to the Dark Lord and the Boy Who Lived, seeing which will carry the day.

Much like part 1 makes the long camping/trekking sequences impressively watchable, this film does wonderfully with what’s mainly a big fantasy battle.  Now, I’m all for a good fantasy battle, but as The Hobbit:  The Battle of the Five Armies shows, you can’t base an entire film around it.  It just gets to be too much, and the whole thing devolves into sameness.  Then, no matter how cool or well-performed the fighting is, you kind of resent it for giving you such a surfeit.  The trick with The Deathly Hallows:  Part 2, I think, is that there’s still quite a bit of story woven in the same time.  As the battle rages around the castle, Harry and his friends are still chasing Horcruxes, solving mysteries, and discovering hidden truths about themselves.  This provides a lot of variance in the flow of the story, and even if some of these sequences are action-heavy (like the confrontation in the Room of Requirement,) it’s a different sort of action to the fight going on outside.  In this way, the big fight never flags or feels repetitive.

The action also remains grounded in the characters.  There are some gorgeous friendship moments among the trio, lots of supporting characters get a chance to shine (I like Luna giving Harry what for, and I love Neville Longbottom his inner badass while still being so completely Neville,) and Harry’s own journey is gripping to the end.  And emotional – wow!  I mentioned it above, but it’s true.  In the last hour, this movie wrecks me.  The whole Prince’s Tale sequence is beautifully, flawlessly executed, and the Resurrection Stone scene is sublime.  Everyone’s acting is just crazy on-point, and the direction is fantastic.  Knockout, all the way.

A few more fine faces in British acting I should mention.  A nigh-unrecognizable Ciarán Hinds (who I’ll always know best as Capt. Wentworth from the Amanda Root version of Persuasion) turns in a nice performance as Aberforth Dumbledore, and the terrific Kelly Macdonald (State of Play alum!) is great in her scene as the Grey Lady.

(As much as I love the movie, though, the epilogue is still ridiculous.  That treacle didn’t work for me in the book, and the only reason it’s any better here is because there’s less of it.  Ayiyi.)

Warnings

Fantasy violence, frightening images, and thematic elements.