Another
great episode. As things get increasingly hairy, it gets harder to talk details
without venturing into spoiler territory, but the show is certainly firing on
all cylinders and looks to be setting up a bang-up season finale next week.
Mostly,
we’re dealing here with the fallout of the events of the last episode. Both
personally and professionally, everyone is backed into a corner and they dig
down deep to try and find a way out of it. At the center of it all is Mo,
looking at what his efforts have come to and trying to figure out what he can
do about it.
I’ll
tread lightly to avoid spoilers, but there’s so much to love in this episode. A
delightful collection of KISS jokes. A knockdown, dragout conversation between
Mo and Dawn that’s steeped in all their history together. A fun montage of
Keith’s exploits with another character. Schemes and machinations, twists and
turns.
When Black Monday first premiered, I enjoyed
it but didn’t love it. Now, though, just shy of two full seasons, I am all in.
So much is packed into each episode, and I appreciate how the show continues to
bring the outrageous humor even as it dives into complex plot workings and
engrossing character development. Like a number of episodes on the show, this
one is strong enough in its own right but levels up beyond how good it already
was in its final scenes. It’ll be great to rewatch the whole season once it’s
over.
Don
Cheadle and Regina Hall are both wonderful here. That Mo-Dawn fight I mentioned
earlier is probably the highlight of an episode that’s already doing the most,
and it’s a testament to both Cheadle and Hall as actors that scenes of their
characters talking to one another can feel just as intense and dramatic as the
more action-packed shenanigans going on. I’d already been a fan of Cheadle for
years, but I’d been sleeping a little on Hall before I saw this show – grateful
to The Books of Rannells that it put Black
Monday on my radar and acquainted me with the awesomeness that is Hall.
Speaking
of great acting, Andrew Rannells is also out here tearing it up. Blair has
great scenes here with both Tiff and Mo, and each demonstrates such different
aspects of Blair. Likewise, Rannells plays off Casey Wilson and Cheadle equally
well in completely different ways. Blair has been on a journey these past two seasons, and it’s wild to see where it’s
been taking him.
As is
true of the show on the whole, I love that Rannells’s performance as Blair can
be so complex/engrossing while simultaneously being so damn funny. The big scene with Tiff is a great example of that,
turning from hilariously goofy to darkly disturbing on a dime, and the big
scene with Mo is just two fantastic actors facing off in a major way. Also,
side note, I like the little detail that Blair has been pitching his voice
lower ever since he realized he was gay. It’s most noticeable in scenes where
he’s trying to be tough/threatening or trying to project his masculinity, but
it’s something that carries through in most of his scenes, with “the old Blair”
surfacing largely in moments when he drops his guard for a little. It’s a nice
touch.
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