"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love

Wednesday, May 29, 2019

Top Five Callbacks/References: Avengers: Endgame


Spoilers ahead – consider yourself warned.

Far and away, Endgame’s best quality is the time it takes to honor the past.  Whether it’s the return of past characters, iconic callbacks, or emotional parallels to classic scenes, this film is a feast for long-time fans, jam-packed with nuggets of continuity goodness.  Here are my favorites.

Jarvis!!!

Quite simply, Jarvis!!!  I really love it when franchises that maintain more loose connections get bigger references (like when new Who gives a shoutout to something that’s only ever appeared on Torchwood or The Sarah Jane Adventures,) and with Marvel, while the TV shows are clearly in the same universe as the movies, the movies don’t often acknowledge that.  So, seeing that tiny cameo from James D’Arcy’s Jarvis was good for my Agent Carter-loving heart – so happy to see him, still plugging away at Howard’s side (albeit with John Slattery instead of Dominic Cooper.)

Thor and Frigga

I have mixed feelings about how Endgame handles Thor’s story, but I really love this scene.  Frigga (raised by sorceresses, you know) immediately cops that Thor is from the future and that he’s clearly been struggling.  After everyone and everything Thor has lost and how he’s abused himself over it, this final chance to see his mother and speak with her one more time is so important/healing for him.  A lovely scene, knocked out of the park by both Chris Hemsworth and Renee Russo.

“On your left.”

Okay, so normally, I find it a little cheesy when characters repeat lines from earlier in the story in a significant way, but this one is too good to pass up.  First, “On your left,” is short enough and was enough of a recurring thing when it was first introduced in The Winter Soldier that it makes sense as something both Steve and Sam would remember (not to mention, it’s directly tied to how they met, which gives it greater significance.)  As such, it doesn’t have the usual “let me flip back through the script to make sure I get the exact quote” feel to it.  And man, that moment… Steve is battered and bruised, hauling himself up to face down Thanos’s army all on his own.  And then, those words in his ear piece, “On your left,” and the floodgates/portals open, bringing in Sam and all the other dusted characters to have Steve’s back.  It’s both emotional/intimate and a total fist-pump moment – awesome!

Elevator Scene 2.0

Another Winter Soldier callback.  The original elevator scene is a classic, and here, with Cap having traveled back in time to the events of The Avengers, his task of retrieving Loki’s scepter/the Mind Stone brings him into a paradoxically-foreshadowing echo of that scene (because, for Rumlow and company, this is several years before The Winter Soldier, but for Steve, he knows in hindsight that they’re all secretly Hydra.)  Parallel shots to the original elevator scene prime us for an epic fight, but instead, Cap plays smart, using what he learned in The Winter Soldier to get what he needs.  When Rumlow doesn’t buy his claim that Secretary Pierce ordered him to take the scepter, Cap sidles up to him and whispers, “Hail Hydra,” letting Rumlow think they’re on the same side.

“Come and Get Your Love”

We all remember Peter Quill’s exuberant dance while collecting the Power Stone, listening to “Come and Get Your Love” on his Walkman.  Well, good old time travel… Nebula and Rhodey get to drop in on this moment, allowing us to revisit it from their outside perspective, the one where Peter is grooving around with his headphones, dancing wildly and singing along to music only he can hear.  A fun scene, perfectly capped by Rhodey’s deadpan, “So he’s an idiot?”

No comments:

Post a Comment