"Better a fallen rocket than never a burst of light."
~ Tom Stoppard, The Invention of Love

Friday, July 13, 2018

Trevor Noah: Afraid of the Dark (2017)


I saw this not long after it first aired, but I’ve been sitting on my review for a while (goes to show how rarely Last Week Tonight and The Daily Show are both off on the same week!)  Although this special shares a lot of material in common with the live show I saw Noah do in 2016, it still makes for a good time, and there’s some good new stuff to go along with it.

Honestly, I’m glad the special includes routines I saw live, because it’s good to have a place I can go back to and rewatch them to my heart’s content.  What were, for me, the crowning jewels of that live show – the riff on a hypothetical Black James Bond and imagining the first time Obama met Nelson Mandela (with Mandela passing down the secret of “first Black president voice” – are both preserved here, super funny and energetic.  Not to mention well-executed – he carries on a long imaginary conversation between Obama and Mandela, and the voices are perfect throughout.

While those two stories are pretty much as I (so fondly) remember them, other repeated routines have had new material added.  He throws in some extra jokes about his misadventures drinking in Scotland, and his routine about how accents affect our perception of people – with particular emphasis on the fear invoked by Russian accents – is given a lot more dimension.  It was a smart bit and an excellent observation when I saw it last year, but Noah fleshes it out even more in the special.  Here, he examines the difference between someone speaking English with a foreign accent and speaking in their native language, pondering his different reactions to the two.  He also goes into a great routine about his plan for women to combat harassment by learning to do a Russian accent to strike fear into the hearts of creeps everywhere, not to mention his tale about his own experience using a Russian accent to counteract his fear of the dark (hence the title.)

There’s other good material as well.  The bit about African traffic lights is fun, and the running theme of immigration, xenophobia, and the fear of what we haven’t encountered/have only encountered glancingly is much appreciated.  On the latter front, his talk of Brexit and anti-immigrant sentiment in Britain, with a great riff on imperialism, is particularly good.  And as usual, in the midst of the comedy, even the pointed comedy that specifically uses the jokes to make his point, he has to sprinkle in those little moments that are completely earnest and without a hint of satire or cheek.  Here, one of my favorites is his declaration that travel is “the antidote to ignorance.”  Not to get all “in these troubled times” about it, but that’s an antidote that’s sorely needed these days.

Warnings

Thematic elements, language, and references to sex/drinking/violence.

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