The web’s
getting more tangled, both in the investigation and in the lives of Danny’s
family, the detectives, and the villagers.
You wouldn’t have thought every single person in a sleepy seaside town
would be hiding a dark secret of some kind, but that’s sort of what’s going on.
A new
piece of important evidence is discovered, and the police begin taking a
stronger interest in several subjects.
Meanwhile, Ellie tries to connect more with Hardy. Danny’s family, concerned that the lackluster
media attention on the case is preventing the word getting out and potential
witnesses coming forward, debate over whether or not to open the media
floodgates themselves.
Just
generally, I’d like to say this: when
you live in a small village where a boy has been murdered, don’t act super shifty if you weren’t the person who murdered
him! This show has kind of the opposite
problem as The Assets. Whereas, on that show, the mole is twitchy as
hell from the get-go, this one features basically everybody hiding something
and lying to the police about stuff that doesn’t ultimately connect to the
investigation. There’s a point where it
stops being suspenseful TV and starts being, “Just tell the police what’s up so they can stop wasting their time on
you!” It’s not really a spoiler to bring
that up here, since a) like I said, everyone’s
acting shady, and b) clearly, they didn’t all
kill Danny.
Hardy’s
backstory has been coming out in drips and drabs, and we get a little more
forward momentum here. While the full
circumstances behind his dour outlook and the failed case that brought him to
Broadchurch under something of a cloud still haven’t been revealed (naturally,)
we’re getting a bit closer to understanding him.
And as
for Beth? She doesn’t have a ton going
on in this episode, at least not much that’s seen onscreen. In the discussion over media attention,
decisions are made that change things for the family quite a bit going forward,
but at this point, we don’t see a lot of that happening. As such, there isn’t too much for Jodie Whittaker
to do.
But on
the subject of Beth, I do want to mention one scene she isn’t in that still
involves her, where an out-of-town reporter is pitching the story to her boss,
who asks, “How photogenic is the mother?”
So gross, but I’m sure it’s sadly true to life.
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