Tuesday, July 7, 2015

Soldier’s Girl (2003, R)

*Disclaimer: Although I do mention it in my review, it bears repeating more emphatically at the top. As excellent as his performance is, it isn’t right that Lee Pace was cast as Callie. It was a missed opportunity for a trans actress to play a leading role, and even though the film does a lot of things right, this is a wrong call that can’t be overlooked.*

 
Based on an awful true story, this is a harrowing TV movie with a heart-wrenching ending.  I’m not gonna lie – it’s hard to watch.  That said, it’s also an incredibly well-made film, and the culminating tragedy, as ugly as it is, can’t sour the lovely thread of romance that comes before it.

Barry Winchell, a private in the 101st Airborne, has just arrived at the camp where he’ll be stationed.  The demands are punishing, and he faces them with ragged determination.  On an evening out with his army buddies, he meets Calpernia Addams, a trans woman who performs at a drag club.  Barry is immediately taken with Callie; the two begin a shy, tender relationship.  As they get more involved with one another, rumors about Barry’s orientation threaten his standing in the army, and homo- and transphobia on the base threaten his safety.

As I said, the heart of this film is the romance between Barry and Callie, and it’s done beautifully.  Callie’s gender identity is a big factor – it’s what has her at first in denial that Barry is actually interested in her, it informs their intimacy, and you won’t find too many movie romances that include the word “vaginoplasty” – but I love how, at its roots, their relationship isn’t “about” that.  For much of the film, it plays out so quietly and gently, touching on the new ground Barry is exploring but putting greater emphasis on the soulful bond between them.  There’s bashful flirting, Barry treats Callie like a lady, and as their relationship progresses, they both support and push each other.

Equally well done, but much more difficult to see, is the growing suspicion and hostility Barry faces at the camp.  The tension builds slowly but inexorably.  Some of the guys in Barry’s unit are infected with the poison, Barry’s anxiety at his drill sergeant’s off-the-books witch hunt for secret homosexuals is palpable (never mind that Barry isn’t, in fact, gay,) and try as he might, he can’t keep his fears out of his relationship with Callie.  The stakes here are so high, and your heart breaks for Barry as he endures taunts, threats, and worse from the fellow soldiers trying to kick the closet door down.

This is the first time I’ve watched Soldier’s Girl since becoming more involved in the LGBTQ community.  The cis-actor-playing-trans thing definitely bothers me more now, but I stand by my assertion that Lee Pace does a phenomenal job as Callie (I’d hope that, if they were making the film today, Callie would be played by a trans actress, but it’s definitely not a sure thing – in the last 12 years, not as much has changed for trans performers as it should have.)  I adore how soft and heartfelt she is in love, and I like the way she uses her drag queen acting skills to create a self-assured façade when she feels vulnerable.  As Barry, Troy Garity is equally great.  I really like his earnestness; he pursues Callie without handwringing about his orientation, and despite the homophobia and toxic masculinity of his environment, I love the moments where he can let his guard down enough to be open about his feelings, good or bad.

Warnings

Language (including some ugly hate speech,) drinking, smoking, sexual content (including a few tamely-shot sex scenes,) and violence (including one incredibly intense scene.)

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