Other Doctor Lives: Jessica Jones: Season 3, Episode 13 – “A.K.A. Everything” (2019)

*Episode premise spoilers, but since this is the series finale, that includes some major spoilers that came before it.*

While David Tennant’s season 2 appearance on Jessica Jones is a proper guest starring role, his appearance in the season finale is barely a cameo. But, completist that I am, I need to write about it. Let’s do this!

Jessica has discovered that Trish is using Erik’s ability to identify and punish bad people, and she’s already multiple people, including the imprisoned serial killer Salinger. Though it kills her to do it, Jessica realizes she needs to bring Trish to justice.

I think season 1 of Jessica Jones is unquestionably its best, and David Tennant is just one of many reasons why. Nothing else on the show hits quite as hard as that does, but I find season 3 pretty compelling, albeit in a painful way. Throughout seasons 2 and 3, it’s hard to watch Trish transform so much from the brave, supportive sister she was in the first season. First, she gets hooked on the experimental superhuman inhalers Thompson was using in the military, then she becomes obsessed with getting real, permanent powers of her own, putting her life at serious risk to get them. And then, once she has them, she grows increasingly consumed with being judge, jury, and even executioner. It’s a tragic fall for a character that I really loved in season 1.

And no matter what harm Trish has done, Jessica still loves her, which makes it all the more heartbreaking for her to have to go up against her sister and stop her. Even though they’re not nearly as close as they once were, even though Trish has already hurt Jessica in profound ways, she can’t stop caring. As they go toe-to-toe, Jessica urges Trish to stop, telling her, “You’re not fast enough, and you can’t beat me.”

The finale also gives us a last-minute Defenders reunion, with Luke Cage returning to the show where he made his Marvel TV debut. His appearance is brief, and he doesn’t really get to throw down, but it’s good to see him with Jessica again. Relationships between powered people are important, because often, they’re the only ones who can really understand the burdens they have to deal with.

As I said, hardly any David Tennant. We get the slightest nod to Kilgrave, with a vocal cameo at the end of the episode—as you can see from the screenshot at the top of the post, the only visual cue to his presence is the purple lighting. I won’t spoil the details of his short appearance, but it’s a definite moment, and it comes at a pivotal point for Jessica.

And that’s the end of Jessica Jones! Wrap-up thoughts:

Accent Watch

English, posher than Tennant’s Doctor(s), and I think a little posher than Crowley as well.

Recommend?

In General – Yes. This is a strong, gritty superhero/detective show, full of messed-up characters and complex relationships. Krysten Ritter is absolutely fantastic as Jessica.

David Tennant – Definitely! Tennant is skin-crawlingly good as Kilgrave, and so radically different than the Doctor or Crowley.

Warnings

Violence (including discussion of rape,) sexual content, language, drinking/smoking/drug use, strong thematic elements (including stalking, PTSD, and psychological torture,) and a disabled character played by a nondisabled actor in the later seasons.

Neurodivergent (Headcanon) Alley: Janine Teagues (Abbott Elementary)

 

As a classic Second Autistic-Coded Character I Spot, Janine was the obvious Abbott Elementary choice to write about after Gregory. I (finally!) started watching the show after hearing about Gregory as a great example of a Black autistic character, so I knew about him going in. But right from the first episode, I was like, “Wait, why didn’t anybody tell me about Janine?!?” Man, oh man, Janine Teagues, my beloved!

Janine is very much in the Leslie Knope vein of AuDHD coding. She’s a super upbeat person who will continue to find energy even after her stores have been depleted, usually in service to the school. We first meet her in her second year of teaching, and her determination towards ingenuity and problem-solving is contrasted against veteran teachers like Barbara and Melissa. When it comes to weighing the needs of the students against the chronically underfunded Abbott, Janine hasn’t yet had the fight knocked out of her. She’s convinced that there’s nothing she can’t tackle.

To go a step further, she feels like she has to tackle everything Abbott throws at her. Janine’s compassion and empathy can be seen for miles. She wants the best for her kids, and she absolutely wants them to have opportunities that aren’t being afforded to them. Whether that’s trying to fix a flickering hallway light (despite her fear of heights) or finding a creative low-cost way to bring librarians to the district, she takes every problem on herself and is wholly unable to let things lie. Often, her dogged problem-solving brings up bigger problems in the short run, like when she campaigns to switch the juice served in the cafeteria and it results in the kids constantly needing bathroom breaks. But of course, she’s just as determined to fix those problems too.

Janine is a well-meaning meddler, frequently offering input that hasn’t been requested and doing everything in her power to rally less-than-enthusiastic troops. Some of the other characters can find her exhausting to be around—especially in the early seasons, Barbara and Melissa both run hot-and-cold on her, and Ava never runs out of Janine-related insults. And I definitely get how Janine can be seen as “too much.” She just cares about everything, all the time, and in truth, I’m sure it’s much more exhausting to be her than to be around her.

When it comes to social interactions, Janine struggles a lot. Her try-hard attitude extends to her relationships, which means she can come on too strong too quickly. In season 1, her desperation for Barbara’s approval and mentorship is obvious, while at the same time also wanting Barbara to see her as an equal colleague. When she realizes Jacob hadn’t told her he had a boyfriend, she spirals about them being “just work friends” and goes overboard in an attempt to upgrade their status to real friends. She gets stuck in her relationship with Tariq for way too long because it’s so hard for her to stand up for herself the way she stands up for others, and she puts up with a lot of dismissive, indifferent treatment. Not to mention, Janine’s first love, always and forever, is to Abbott, and her devotion to her work and the kids can get in the way of her dating life.

It can be painful to watch Janine flail at times, because she has so much love to give and so desperately wants to make things better for people, and it’s hard to see her encounter people who mock her for that or discount her because of her relentless cheerfulness. I see how she gives endless space to others but can be really hard on herself. That said, Abbott Elementary has all the Big Neurodivergent Energy, and a big part of that is making spaces for characters to be accepted as who they are. Over the course of the show, Janine has been able to foster some of the relationships she wants. And even though plenty of her colleagues still think she can be annoying, they also recognize how hard she works every day to make Abbott better. These days, they’re much more likely to include her and root for her. Not that they never give her a hard time, but it comes more from a place of love—she’s their annoying super-upbeat teacher who never quits, and they value her for it.

Doctor Who: Series 4, Episode 7 – “The Unicorn and the Wasp” (2008)

I’d be hard-pressed to find a Donna story I don’t love, but this one is especially fun. A delightful murder-mystery romp with fun historical bits and a dash of absurdity. Classic Ten and Donna!

The TARDIS has landed at a 1926 English dinner party, and the Tenth Doctor and Donna are excited to learn that Agatha Christie is in attendance. But as guests start turning up dead in textbook murder-mystery ways, it’s up to our heroes (plus Agatha!) to suss out the killer in their midst.

Before I get too far into the proceedings, I want to mention that this episode is written by Gareth Roberts. I’ve loved his stuff on Who and The Sarah Jane Adventures, but in more recent years, it’s become apparent that he’s proudly transphobic with his whole chest. He still has his share of fun, frothy yarns, but boo to him.

So, Gareth Roberts, ugh. But “The Unicorn and the Wasp,” yay! This breezy celebrity historical is a hoot. Homages to Agatha Christie’s work are everywhere—all the party guests have a secret, there are numerous references to her stories in the dialogue, and we of course get a parlor-room wrap-up in the third act to reveal the killer’s identity. I get a huge kick out of Donna accidentally giving Agatha ideas for some of her most famous works and then retroactively trying to copyright them herself. And I’m a sucker for Whovian explanations for real-life unsolved mysteries, and we get a nice example of that here.

The one-shot ensemble is a lot of fun here. Fenella Woolgar, who I’ve liked ever since Bright Young Things, is splendid as Agatha, and she plays really well off David Tennant and Catherine Tate. Felicity Kendal is wonderful as Lady Eddison, the hostess of the party, and we get an appearance from Felicity Jones—Jyn Erso herself!

But the best part of the episode, unsurprisingly, is the dynamic between the Doctor and Donna. I just love these two together so much. They’re adorable hobnobbing on the lawn with the guests, and I love Donna’s 1920s look. Once the first murder occurs and they pose as investigators, they quibble over their precise titles and but work well together. The Doctor is fully in his element, investigating a bizarre murder while letting out his inner Agatha Christie fanboy, while Donna makes some keen observations. The scene where they’re forced into an impromptu high-stakes game of charades is worth the price of admission. Oh my god, “Camptown Races,” I love it!