Thursday, September 30, 2021

The Book of Rannells: Big Mouth: Season 4, Episode 1 – “The New Me” (2020)

And here we are at Big Mouth season 4! I just love this filthy, vulnerable, outrageous show. The season looks to be mixing things up further, exploring new territory, and finding ever more apt analogies for the emotions of puberty (minor spoilers for the end of season 3.)

After Nick and Andrew’s big blowup at the end of last season, Nick is looking forward to forgetting those worries for a while at summer camp, but he’s thrown for a loop when Andrew shows up and starts bonding with Seth, Nick’s “camp best friend.” Jessi, also at camp, struggles to relate to the Manhattan girls in her cabin while, back home, Jay and Lola get themselves kicked out of the public pool.

That summary doesn’t do a great job capturing the episode, but it’s a really strong season premiere. Joining the pantheon of puberty creatures are the Anxiety Mosquitoes, a perfect embodiment of that feeling. I don’t know how the show keeps doing it, but between the Hormone Monsters, the Shame Wizard, and the Depression Kitty, they nail it every time. We’re also introduced to a new character named Natalie, a trans girl who’s returning to camp for the first time since transitioning. Her experience at camp is sadly realistic – “The guys are dicks, and the girls are also dicks” (“…But like, somehow more decimating?”) – and there’s a great sequence of her confiding in another character about her gender identity journey.

I can’t believe I didn’t think before about the comedic/story possibilities of putting Jay and Lola in plots together, because it absolutely works. They’re both such over-the-top characters, both really argumentative but kind of obtusely vulnerable at the same time, so they wind up playing really well off of each other. They get most of the laugh-out-loud funny lines in the episode, from Lola not understanding what “bisexual” means for guys (“Is that like when an actor plays twins in a movie?”) to Jay proffering his dad’s “grave-digging” shovels (“Oh yeah, he Breaking Bads people all the time!”) And of course, the Hormone Monsters bring plenty of laughs too. We meet another one of Maury’s dicks (his “notary pubic,” ha!), and there’s a great recurring sight gag of Connie galumphing around in water skis.

Not much Andrew Rannells, which is too bad. Matthew only appears in one scene, lounging by the pool with his boyfriend Aiden. He still manages to toss off a great one-liner about the public pool’s “kitsch value,” which involves a hilarious visual, but the scene quickly shifts focus to Jay and Lola. That said, I do like Aiden’s deadpan line, “Matthew said you kissed him like you were trying to push his tongue out of a window.” (Side note: while checking IMDb to see if Natalie was voiced by a trans actress – she is – I discovered that Aiden is voiced by Zachary Quinto! How did I not realize that? Once I knew, his voice was unmistakable.)

Wednesday, September 29, 2021

Relationship Spotlight: Xu Wenwu & Xu Shang-Chi (Shang-Chi and the Legend of the Ten Rings)

*Spoilers.*

Okay, so I only did one Marvelous Wednesday post that was mostly unrelated to Wenwu before sliding right back into it. But hey, baby steps! The relationship between Shang-Chi and his dad is the heart of the film, so it’s only fitting that we talk more about it.

Dads, and daddy issues, have loomed large throughout the MCU. Whether the characters are alive or not, their impact on their adult superhero (or villain) children is strongly felt. We’ve got evil adopted dads like Thanos, distracted/disinterested dads like Howard Stark, and ostensibly well-meaning dads that still screw up their kids like Odin. As for Shang-Chi, he’s got a real doozy of a dad – his first film devotes extensive time to flashbacks depicting his messed-up childhood with Wenwu. It’s weird enough when your dad is a 1000-year-old former war lord who only recently stopped wearing the Ten Rings that grant him lethal power and immortality, but for the first few years of Shang-Chi’s life, his childhood is about as normal as it could possibly be under those circumstances. I remain obsessed with the brief flashback of the Xu family playing Dance Dance Revolution and then cozying up on the couch together as the kids fall asleep. For me, that’s the “Avengers hang around drinking beer and trying to lift Thor’s hammer” scene of The Legend of the Ten Rings, and I love it so much.

But after Shang-Chi’s mom is killed (in retribution against Wenwu for something he did in his war-lord days,) any pretense of normality is forever gone from the family. Wenwu decides to rebuild the Ten Rings army, takes his 7-year-old son to watch him murder some gangsters in revenge, and then trains said 7-year-old son to be an assassin, again in service of revenge. While Shang-Chi eventually runs away from home and tries to start a new life for himself away from his dad’s influence, it’s not until after he takes his first life at the age of 14.

The two don’t see each other for 10 years, and when circumstances/Wenwu bring them back together, it’s a real head trip. First Wenwu sends Shang-Chi a postcard that appears to be from Shang-Chi’s sister Xialing, then he sends some of his men to recover Shang-Chi and Xialing’s Ta Lo pendants by any means necessary (but he’s confident that his men “couldn’t kill [Shang-Chi] if they tried,” so let bygones be bygones, right? Right?) After picking them up in his helicopter and flying them back to his compound, Wenwu has dinner with his kids, drops an unbelievable bombshell on them, and then has them thrown in his dungeon when it looks like they’re going to get in the way of his plans. It’s not a surprise when Shang-Chi comes to the conclusion that, because Wenwu needs to be stopped at all costs, Shang-Chi will have to kill him.

All that is classic hero kid/villain dad dynamics: the manipulation and abuse, the “join me on the Dark Side” invite, the “I’ll never be like you!” defiance. But this isn’t a Luke-Vader situation where the one redeeming moment comes at the eleventh hour. Wenwu is objectively terrible, but he’s also bizarrely, sincerely loving too, and that makes the whole thing even harder for Shang-Chi (and Xialing, but more on her another day) to deal with. As Shang-Chi is telling Katy about his twisted upbringing and his father shaping him into an assassin, he admits, “I would’ve done anything he asked.” And the way he says it, it’s not out of fear. It’s a kind of admiration, a kind of love that Wenwu engendered from his son. Wenwu draws it out of Shang-Chi with the way he kneels down to 7-year-old Shang-Chi’s eye level and earnestly entreats Shang-Chi to help him avenge Li’s murder. With the way he tenderly cleans Shang-Chi’s bloody knuckles after training, with the way he tells Shang-Chi about the family legacy of the Ten Rings with just the slight hint of a fairytale. Wenwu is powerful and imposing, but he’s magnetic too. He knows when to use a light touch, and for many years, that kept Shang-Chi caught in his orbit. A huge part of the reason Wenwu is so compelling, as both a dad and an antagonist, is that all of his menacing scenes are about 10% tender and all his tender scenes are about 10% menacing. It’s love and care and power and possession and rage and grief and vengeance and longing all rolled into one. No wonder he throws Shang-Chi off-kilter.

This is why their big fight scenes in the second half of the film are dramatically engaging as well as being excellent action. You can feel the force of the emotion on both sides. Shang-Chi defiantly insisting he’s not afraid of Wenwu and Wenwu coolly replying, “Yes, you are.” Shang-Chi’s accusation that Wenwu chose the Rings over his family when his children needed him the most and Wenwu hurling back that Shang-Chi should have protected his mom on the night those men came for her. Shang-Chi’s taunt, “Is this what you wanted?” as he faces down Wenwu, preparing to imitate his dad’s own ruthlessness, and then Shang-Chi choosing to be better when he’s positioned to land the killing blow. Shang-Chi trying to get through to Wenwu as he tries to break down the gate in Ta Lo (thinking it will free a still-alive Li when really, it’s the Dweller in Darkness luring him in,) sadly insisting, “She’s not back there, Dad,” Wenwu’s desperation as he avows, “I have to save her!” These fights are charged and personal, and they illuminate Shang-Chi (and Wenwu) for us in ways that the spectacle of the climatic battle with the Dweller in Darkness just don’t.

By the end of the film, Wenwu is gone, having pulled the classic last-second redemption move of putting himself between danger and his son when the Dweller in Darkness escapes the gate, giving Shang-Chi the Ten Rings with his dying breath. And I mean, I get it. 1) Marvel probably didn’t want to bank on getting an actor of Leung’s stature to sign on for more than one movie, and killing Wenwu off is the cleanest way to get him out of the picture. And 2) Wenwu is such a foundational presence in this film and in Shang-Chi’s life, so for Shang-Chi to ultimately be established as his own hero, he needs to get out from under his dad’s shadow, both personally and narratively. But it’s still a damn shame. Even if the MCU is littered with sons and daughters who have complicated relationships with their dads, this was one was done spectacularly well, and I really wish we could’ve seen more of it going forward.

(Quick side note, because I can’t help myself: not to mention, I just kind of wish we could have Wenwu in everything. I would watch the hell out of a movie/Disney+ series/whatever that showed the rise of the Ten Rings, and I saw this fan art of Wenwu facing off against Tony Stark (the Mandarin is primarily an Iron Man villain in the comics) and was blown away by the sheer thought of all that coolness we won’t get. Unless… What If…? Maybe? Leung enjoyed working with you, Marvel – if you play your cards right, you might get him to make more appearances in the universe!)

Tuesday, September 28, 2021

Other Doctor Lives: The Leftovers: Season 3, Episode 3 – “Crazy Whitefella Thinking” (2017)

A detour episode, following a character who’s always been positioned on the show as an important figure, albeit with limited screentime. The story leans hard into the religious angles that have been growing this season (not that the show hasn’t always had a religious/spiritual bent, but they’ve really been cranking it up here.)

While the folks back in Miracle are gearing up for the seventh anniversary of the departures, we check in with what Kevin Garvey, Sr. has been up to. “Our” Kevin’s dad, erstwhile police chief and self-declared prophet, has appointed himself on a mission. He believes that a flood will devastate the Earth when the anniversary arrives, and the only way to stop it is for him to sing a song he’s compiled piece by piece from spiritual leaders across the world. The final piece of his song is held by one Christopher Sunday, and he travels across Australia in search of the indigenous holy man.

I’ve liked other intense character-centric episodes, as well as tangent episodes from the main plot, but this one isn’t a favorite. I’ve never been a huge fan of Kevin, Sr. anyway (I’m on record as being kind of over “is it mental illness or prophetic visions?” storylines, so getting a full episode of him isn’t really what I’m looking for at this stage. It doesn’t help that, in this story, he’s apparently gained such a reputation for intruding on indigenous rituals/ceremonies that word is spreading around the Outback not to be his tour guide. That’s not a scenario in which I’m exactly planning to root for the guy – in other words, the episode title aligns pretty well with my impression of the main plot.

One piece of note is the appearance of Lindsay Duncan as a woman Kevin, Sr. meets on his travels. I’ve seen Duncan in a bunch of stuff, including Christopher and His Kind and the O’Connor/Miller version of Mansfield Park, but I’ll always remember her best as the steely Capt. Adelaide Brooke from Doctor Who’s “The Waters of Mars.” Fun to see her pop up here sporting an Australian accent!

Just a couple scenes for Christopher Eccleston/Matt today. Matt is one of the few people back in the States who knows where Kevin, Sr. is, one of the only people he keeps in touch with. Matt has been offering him some financial support, which pretty much tracks – 1) Matt is a generous person who’s usually prepared to help, and 2) he’s been exploring some pretty out-there religious ideas himself, so who is he to deny Kevin, Sr. his prophet quest?

The episode appears to span a decent stretch of time, so we get a glimpse of Matt at two different points, in two very different states of mind. In an episode that’s extremely focused on Kevin, Sr., I appreciate getting just a brief hint about something deeper going on in Matt’s life.